NYFA
Faculty Directory

Faculty Directory

Alexa Alemanni

BA in History & Theater, Vassar College.
Alexa started as an actress on Emmy-winning drama Mad Men for four seasons, for which she won a SAG Award. In television, she has staffed on TNT’s The Librarians and sold a pilot to Tornante with Intrigue Entertainment. In feature films, she wrote Something Borrowed, the sequel to the 2006 hit Something Blue for Black Label Media, and the adaptation of the book Serpent’s Bite by Warren Adler for Grey Eagle Films. Alexa sold the feature I Won’t Be Home for Christmas to UCP for USA. Another feature project, The Lion in the Library, was recently set up with Prodigal Entertainment and Level Forward. She has projects in development with Team Downey, Hello Sunshine, and A Thousand Ships. For the Screenwriting Department in LA, she teaches Scene Study, Script To Screen, Writing The Feature Film, Writing The TV Pilot, Masters Character Workshop

Andy Ashcraft

BA in Graphic Design, UCLA

Andy is the founder of Giantsdance Games. He has held game design positions at Sony Computer Entertainment of America (working on God of War and God of War II), Electronic Arts, THQ, Disney Mobile, Disney Consumer Products, and THQ.

Ashley Bank

BA in Film, NYU. Graduate of The Second City Conservatory
Ashley has been working in the entertainment industry for virtually her entire life. She’s worked as an actress, stand-up comedian, producer, and writer. As an actress Ashley has appeared in over 40 commercials, and has guest stared on TV shows like Family Ties, My Two Dads, Frasier, and The Fresh Prince of Bel-Air. She’s also appeared in numerous TV Movies, working with greats like Henry Winkler, Dolly Parton, and Raquel Welch, as well as the feature film The Monster Squad. She also worked as a producer for CBS News/48 Hours, and later for CBS News’ documentary department, working on documentaries for The History Channel, The Food Network, A&E, Discovery, and ESPN. She is a graduate of New York University, with a BA in Film, Journalism, & Political Science. She is also a graduate of The Second City Conservatory. For the Screenwriting Department in Los Angeles, she teaches The Business of Screenwriting, The Art of The Pitch, Acting as part of the Script To Screen course, and Scene Study. For the Producing Department in Los Angeles, she teaches Producing Documentaries, and in the Filmmaking Department she teaches Advanced Producing.

Katy Berry

Katy Berry is a New York based comedian, writer, and musical improviser who studied writing at The New School in New York City. Her screenplay POPCORN earned her a place in the 2020 Black List and Women in Film Feature Residency and is now being produced by Gunpowder & Sky, along with her second feature, CLICK CLICK PLAY. Her feature NEG is being produced by Aperture Entertainment. As a musical comedian, Katy has traveled the world at venues including The Kennedy Center, NYC’s Town Hall with David Byrne, and multiple sold-out Edinburgh Fringe Fest runs. In addition to live performances, her original writing and videos have been featured in Vulture, Studio360, Bustle, Chortle, Reductress, The Guardian, the Magnet Comedy Film Festival, NYC Web Fest, Coney Island Film Festival, Chain Film Festival, and more. When not teaching at NYFA, she’s leading the charge as the lead of Brooklyn Comedy Collective’s musical improv program.

Hal Cantor

MA in Dramatic Writing, NYU; MS in Journalism, Northwestern University.
Hal writes television, film, and theater. He is currently writing on the second season of Great Escapes with Morgan Freeman for The History Channel. His comedy, To Hal & Back, was optioned by Sony Pictures Television. He wrote on Fusion channel’s acclaimed special, The Naked Truth: Dirty Little Secrets, which broke The Panama Papers story. Prior to that, his drama pilot, Mouthpiece, was bought by Fox Television Studios. He wrote The Lake Effect, a one-hour drama pilot for Showtime, developed with Emmy-winning director Scott Winant. Hal also sold the drama pilot, Twilight, to Sony Pictures Television. In features, he developed a comedy with John Davis Productions. Hal’s had multiple plays produced. His new one-man show, The Importance of Being Anxious, debuted at London’s Camden Fringe. For the Screenwriting Department in LA, he teaches Online Screenwriting courses in Television.

Edward Cha

MFA in Film, UCLA TFT
Ed Cha is a writer-director-producer of film and theater. He has worked as a Technical Director for theater, working with world-renowned artists including, Tim Miller, Holly Hughes, Rachel Rosenthal, and Oguri. As a Line Producer, he has produced for the Rolling Stones, and produced Katie Q, Shuffle, and Hello Herman. His company Mean Panda Productions is overseeing a short film production series anthology Three Palms, View Obscured focusing on the themes of homes and homelessness. Ed’s has written and will direct one of the shorts, My Honey Bee. For the Screenwriting Department in LA, he teaches Storytelling with Purpose, Scene Study, Elements of Screenwriting, and Feature Workshops. For the Filmmaking Department in LA, he teaches Thesis Prep and Producing.

Eric Conner

MFA, USC School of Cinema and Television
Eric has collaborated on screenplays with Robert Gardner (Writer, The Wedding Palace) and is developing a pilot with Hayden Black (Goodnight Burbank, Gen Zed). He is currently a regular contributor to ranker.com. As part of a team, he adapted the New York Times bestselling young-adult series Vampire Kisses and developed a feature film based on Knott’s Berry Farm’s Halloween Haunt. He currently hosts, produces and writes the podcast The Backlot for NYFA and was previously commissioned to write the original one-act play/short film The Also-Rans. He is the winner of the Sloan Award & Hamptons’ Writer’s Workshop for feature script Just Enough. He worked as a production manager on the documentary The Cutting Edge: The Story of Cinema Editing. His interview subjects include Steven Spielberg, George Lucas, and Sean Penn. For the Screenwriting Department in LA, he teaches TV Workshops, Introduction to Television, Rewriting, and Thesis Workshops.

Morgan Dameron

BA in Film & Television Production, USC
Morgan Dameron wrote, directed, and produced the feature film, Different Flowers. She previously worked at Bad Robot Productions on Star Wars: The Force Awakens and Star Trek Into Darkness. She has developed projects with Paul Feig’s Powderkeg Media, 3BlackDot, Olive Bridge Entertainment, and Very Big World. For the Screenwriting Department in LA, she teaches Art of the Pitch, The Business of Screenwriting, Script To Screen, Feature Workshops, Adaptation, Elements of Screenwriting, Story Generation. For the Producing Department she teaches Navigating The Industry online.

Nunzio DeFilippis Dean of Faculty, Co-Chair of Film Arts Department

MFA in Screenwriting, USC

Nunzio has worked in television, comics, film, and games for over two decades. Along with his writing partner (Christina Weir), he was a writer/producer on HBO’s Arliss and wrote for the Disney Channel series Kim Possible. They have had features optioned at Hollywood Pictures, Process Media, and Humble Journey Films, and developed a video game at Sony and a TV movie at Oxygen. He and his partner have written for the comics New X-Men, Adventures of Superman, Batman Confidential, and Dragon Age, among many others. They created the comic franchises Bad Medicine (developed at Closed On Mondays with NBC), The Amy Devlin Mysteries (developed as a TV series at E!), and Frenemy of the State (co-created with Rashida Jones, optioned as a feature film by Imagine Entertainment/Universal Pictures.). He serves as the Chair of Screenwriting and Dean of Faculty at NYFA LA, and for the Screenwriting Department, teaches Elements of Screenwriting, Feature Workshops, Sequential Art, Story Generation, Genre Studies, and Thesis Workshops.

Kevin DiNovis

For the past twenty-five years, Kevin DiNovis has worked as a screenwriter and film director. His debut feature, Surrender Dorothy (1998), won multiple awards, including the Grand Jury prize for Best Feature at the Slamdance, Chicago Underground, and New York Underground Film Festivals. His subsequent work includes the political satire Death & Texas (2004), which stars Academy Award nominees Charles Durning and Mary Kay Place.

As a writer, DiNovis adapted Mary Higgins Clark’s bestselling thriller Loves Music, Loves to Dance for USA Networks. He was the first writer selected to inaugurate Marvel Studio’s Writers Program. In addition to adapting two features and one short subject for the celebrated ‘MCU’, DiNovis participated in an uncredited dialogue polish of the script for Thor.

In 2019, DiNovis presented his paper entitled “‘The Other Fellow’: ‘Transference of Identity’ in On Her Majesty’s Secret Service” at the South Atlantic Modern Language Association’s Conference in Atlanta, GA. He followed that up at SAMLA’s 2022 Conference with a paper entitled, “A Little Help from His Friends: The Expanding Role of MI-6 in the New 007 Cinematic Universe.”

Randall Dottin Chair of Film Arts

Randall Dottin is a writer/director who works both in documentary and narrative fiction. His Columbia University MFA thesis film, A-ALIKE, was licensed for a two-year broadcast run by HBO and has won numerous awards, including the DGA Award for Best African American Student Filmmaker and the 2004 Student Academy Award for Best Narrative Film. In 2009, Randall was named by IndieWire Magazine as one of the Top Ten New Voices in Black Cinema. From 2012 to 2015, Randall wrote and directed branded content for AOL.COM, Toyota, and Essence Magazine. Randall’s short film Lifted, was sponsored by Fox Searchlight’s program for emerging directors, the Fox Searchlab. Lifted premiered on CBS in 2015. His documentary series The House I Never Knew is currently in production and explores how six families in Chicago, Houston, and Boston fight against becoming casualties of a housing segregation policy. The House I Never Knew (nee The Chicago Franchise) was chosen to participate in IFP’s Spotlight on Documentaries Program in 2018. Last year, the series received a grant from the Sundance Institute Documentary Fund.

Josh Eiserike

MFA in Film Production, USC
Josh Eiserike is a writer/cartoonist who has written for television shows such as Legacies (CW), Warigami (CW SEED), and G.I. Joe: Renegades (HUB). Additionally, Josh has sold a show to POP TV and a couple of TV movies. He has also written and published several comic books, including The Very Final Last Girls from Darby Pop Publishing and Charm City from Scout Comics. Originally from Washington, D.C., Josh previously worked as a newspaper reporter, covering everything from Congress to the Warped Tour. Other writing credits include MAD Magazine. For the Screenwriting Department in LA, he teaches Sequential Art, Feature Workshops, TV Pilot, Elements of Screenwriting, Story Generation, as well as Online Screenwriting.

Danielle Evenson

MA in Communication, USC
Danielle Evenson & Heather Huntington are two halves of one set of headphones. The podcast writers have been featured in Deadline, WhoHaHa, Podcast Delivery, PodFluence, Audio Drama Debut, Fiction Podcast Weekly, Pajiba and Broadway World. When they’re not knee deep in sound cues, they also write for TV and film, including The New Adventures of Old Christine, Noggin’s Tales From The Playground, PBS’s Frankenstein MD, MGM’s Craft, Cafe of Love, for Reel One and a Christmas series for Disney. Their audio series, Up a River for Aural Stories launched this summer, and their series A Midsemester Night’s Dream starring Bridgerton’s Charithra Chanran will be released this fall. They teach together (as they write together) for Screenwriting LA in classes like Podcasting and Storytelling with Purpose.

Colette Freedman

MAT in Drama, Colgate University
Screenwriter, playwright, novelist, and actress. Colette has written the Lifetime film Sister Cities (Jacki Weaver, Alfred Molina, Stana Katic) and twelve other made-for-television films with her writing partner Brooke Purdy. Her feature films include Meli (starring Wendie Malick), And Then There Was Eve (2017 LA Muse Jury Prize Winner at LA Film Festival) and Miles Underwater. Colette is an internationally-produced playwright with over 35 produced plays, voted “One of 50 to Watch” by The Dramatists Guild. Plays include Serial Killer Barbie, The Affair, and Blind Spots (Encore Award 2018 Hollywood Fringe fest) and the upcoming Mozart2 the Musical and Amelia the Musical. She has written ten published novels, including the thriller The Thirteen Hallows (Tor Publishing) with #1 New York Times author Michael Scott; the YA book Anomalies with Sadie Turner (Select Books); and the legendary Steve Dorff memoir I Wrote That One Too (Backbeat Books). Freedman has co-produced several independent films, including Quality Problems (Freestyle Media, 2017 Best Feature, Women Texas Film Fest), Dancer in Danger (Lifetime) and Dangerous Cheaters (Lifetime). As an actress, she has worked on many television shows, including That 70s Show, The Young and the Restless, and JAG, as well as several independent films. For the Screenwriting Department in LA, she teaches Feature Workshops, Storytelling With Purpose, Script To Screen, Playwriting, and Scene Study.

Dennis Green

Multi-decade professional actor/writer/producer. MFA, Yale School of Drama, Yale University; BFA, Wayne State University. Writer: Screenplays, works for theater, published essays and poetry. Fellow – Sundance Institute Screenwriters’ Intensive; The Hermitage Artist Retreat. Semi-Finalist – Austin Film Festival TV and Screenplay Competition. His theater work has been produced at Symphony Space, NYC; Performance Space 122; HERE Theatre; Nagleburg Theatre, CUNY; NY Int’l Fringe Festival; Minnesota Fringe Festival; and Dixon Place, NYC. Actor: His films include the horror classic Jacob’s Ladder, Forever Lulu, August the First (Hulu, Netflix, Showtime, Reel 13 on PBS); Somewhere in the Middle (Netflix, Amazon, over 20 national & international film festivals); The Sisters Karras; as well as the audio drama/podcast Harlem Queen (Apple, Spotify, Sticher).

Israel Gutierrez

Israel Gutierrez is a Mexican American filmmaker with a background in film and video editing. He worked as an editor at NBCUniversal for E! Entertainment International and Telemundo International. As a filmmaker, he recently won Best Film Screenplay (Mexican American Film Festival 2022) and Best Short Drama (Official Latino Film Festival 2022) for his multi award-winning historical drama They Call Us Sediciosos. Iz wrote, directed, and edited the short as a proof-of-concept for a feature film and TV series.

Mentored by Oscar-winning screenwriter David S. Ward and former DGA president and director Martha Coolidge, he is the recipient of the Panavision New Filmmaker Grant for the short he wrote and directed Sin Frontera, an immigration love story, which screened at the SAG Foundation, won numerous drama awards including official selections in Academy accredited festivals.

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