NYFA
Faculty Directory

Faculty Directory

Ray Preziosi

Primarily a feature film director of photography, Ray Preziosi’s film credits include: “Topsy and Bunker” with Kathy Najimi; “Italian Movie” with James Gandolfini; “Frog and Wombat” featuring Ronny Cox and Lindsay Wagner; “Big Packages”; and the Victorian era period film “Family Secrets.” Working with Saul and Elaine Bass, Ray Preziosi shot title sequences for “A River Runs Through It,” directed by Robert Redford, and “Casino,” directed by Martin Scorsese. Besides feature film experience, Ray Preziosi has also photographed many short films.

Ray’s documentary credits include “NY TV by the People Who Made It,” for which he received an Emmy nomination. A few of Ray’s nationally airing documentaries include “The Music of Ireland” series; History Channel’s Mega-Movers “Intrepid: On the Move”; “Francis Scott Key and the Song that Built America”; and “FS Key, After the Song,” among others.

Jen Prince

Jen Prince is a producer/director/editor with an MFA in Film Production from USC and a BFA in Acting and BA in Plan II Liberal Arts from UT Austin (Phi Beta Kappa). Her recent feature credits include 7000 Miles, Miles Underwater, Quality Problems, and And Then There Was Eve. She has worked in reality post-production television as well on shows such as The Amazing Race and The Contender (Mark Burnett Productions). Jen also recently produced Virtual Reality content for the Beijing Olympic Games (NBC), which was nominated for a Sports Emmy in Digital Innovation. Jen is a member of the PGA and Alliance of Women Directors.

Robert Pucci Academic Advisor

BA with honors in Economics, Gettysburg College; JD, Washington College of Law at American University; Licensed Attorney, NY and NJ; Writer The Corruptor New Line Cinema; Writer The Spider & The Fly Paramount Television, Writer of the fiction novel, In Harlem’s Way.

David Pultz

David Pultz, CSI has worked in motion picture post-production for over thirty-five years as colorist for film and video. A graduate of the film school at Emerson College, he spent two years at Film Tech Lab in Westfield, MA before moving to New York City. He spent much of his career at Du Art Film & Video, working on a wide variety of independent features and documentaries. After leaving Du Art in 2008, he served short stints with the lab at PostWorks and Deluxe New York before transitioning as an independent colorist specializing in Da Vinci Resolve. David has also directed and produced documentary films. In 1997 he completed the award-winning feature Eternal Memory: Voices from the Great Terror. Shot on location in western Ukraine, Meryl Streep narrates the film. In 2018 David was awarded an MA from The City College of New York. He is currently a PhD candidate at the Graduate Center, City University of New York. www.davepultz.com

Lee Quarrie Academic Advisor

Lee is a writer and actor in the Lady Bits Sketch Comedy group, and is an award winning filmmaker. Her short film “Patchwork Dreams” won grand prize at the Beijing International Screenwriting Competition in 2013. You’ll be able to see her short film “Earth Laundry” in multiple film festivals in 2023/24. And look for Lee’s latest book of monologues for film actors being published in 2023.

Julio O. Ramos Acting for Film Instructor

MFA in Film Directing and Production from UCLA; BA in Journalism from Universidad San Martin de Porres (Peru). Julio is the Writer/Director of “A Doctor’s Job” and “Behind the Mirrors,” films that were showcased in Telluride, Camerimage and CFC WorldWide, awarded with top prizes at Palm Springs ShortFest, Nashville and La Habana. He is an Alum of the Berlinale Talent Campus.

Claudia Raschke

Cinematographer Claudia Raschke was born in one of the largest European ports near the Baltic Sea in Northern Germany. Throughout her childhood the chain of movie theaters owned by her mother brought Claudia into the world of film. After college Claudia’s studied of the art and technique of cinematography on the practical level while working with some of the most prominent and accomplished international filmmakers. She is a founding member of the NYC Kamera Kollektiv, a boutique agency for documentary cinematographers and a member of AMPAS.

Among her many notable award winning films are: Oscar-nominated and Emmy winning RBG (Magnolia/ Participant/ CNN Films), Oscar-nominated GOD IS THE BIGGER ELVIS (HBO), Oscar short-listed JULIA (CNN Films/ Imagine Entertainment/ Sony Classic) and MAD HOT BALLROOM (Paramount), Oscar short-listed and Emmy winning BOYS STATE (A24), Peabody Award-winning MY NAME IS PAULI MURRAY (Amazon Studios/Participant Media), Critics Award nominated FAUCI (NAT GEO/ Magnolia/ Disney+), PARTICLE FEVER (Bond 360), THE FREEDOM TO MARRY (Argot Pictures) Her latest documentary series work includes The House of Hammer (Discovery +), Eleanor and Franklin (CNN), Pharma (Showtime) to be released in 2023.

Marissa Read

Marissa is a muli-hyphante who aims to create material she can direct and act in. She first accomplished this goal when she, along with her writing partner Selyna Warren, made their first sell to AwesomenessTV in the form of a half hour streaming show called “Foursome”. Foursome ran for four seasons, broke YouTubeOriginals’ record for longest running series, and garnered over 95 million views. Marissa then went on to sell television shows and features to Nickelodeon, Tristar, American High, Sony, and more. Currently, Marissa is working alongside Cobia Kai’s Counterbalance and Sony Studios on a True Crime dramady titled, Bad Apple. On the feature side, Marissa is in development with Jordan Kerner on a kids and family Halloween movie. Marissa and Selyna’s feature, Bat Mitzvah, was just announced as a finalist for Tribeca’s Untold Stories Million Dollar Grant. For the Screenwriting Department in LA, Marissa teaches Comedy Writing, Scene Study, TV Workshops, and Web Series.

Tim Redmond Acting for Film Instructor

MA in Theatre Arts, California State University Los Angels; BFA in acting, Kent State University. Regional credits include the American Conservatory Theatre, The Aurora Theatre Company, The Utah Shakespearean Festival and the Contemporary Irish Arts Center of Los Angles among others. His recent film and television appearances include American Crime Story, Station 19 and Dying Breed. Producer credits include “Only in Theatres” “LA Foodways ( Emmy nominated) and “The Bird Who Could Fly.”

Dan Renkin

Dan trained with renowned co-founder of Shakespeare and Company and TONY-recipient B.H. Barry, after studying at UC Irvine and Circle in the Square. His work as actor, stage fighter and fight director has ranged from The Metropolitan Opera to ‘As the World Turns,’ from creating roles with Kirk Wood Bromley’s fabled Inverse Theatre and New York Theatre Ballet to coaching fights on Broadway, Off-Broadway, and whatever you’re doing next. He was among NYFA’s Musical Theatre founding faculty, and also teaches for Circle in the Square, American Academy of Dramatic Arts, and Five Towns College. Past/guest faculty: HB Studio, Juilliard School, Cap21. He was delighted to be nominated for the 2019 BroadwayWorld Vermont Awards for his performance in The Complete History of Comedy (Abridged). Recent fight direction includes the world premieres of MONTE CRISTO, FRANK, and the new musical LOVELESS TEXAS, and touring productions of Robin Hood, Peter Pan, and Treasure Island for Summer Theatre of New Canaan, as well as work at Queens College, Montclair State University and in indie film.

Nikk Rich

Nikk Rich studied abroad at Savannah College of Art and Design in Hong Kong. With strong knowledge in lighting, post production, medium and large format, her work largely surrounds black women in beauty. Pulling from from her community and personal experiences, Nikk shares the nuance of these interactions in her work and actively uses her platform to influence a change in beauty standards.

With her distinct soft lighting, muted color palette and fine art approach to portraiture, Nikk’s specific style and aesthetic has led to multiple shows in China, Atlanta, and Washington DC. She currently resides in Southern California.

Anthony Richmond ASC, BSC

An accomplished Cinematographer whose career spans well over six decades, Tony Richmond worked as Assistant Cameraman on such films as From Russia with Love, A Funny Thing Happened On The Way To The Forum, Truffaut’s Fahrenheit 451, and David Leans’s Dr. Zhivago. The award-winning Cinematographer has had numerous collaborations with Director Nicolas Roeg, lensing five of his films: Don’t Look Now – for which Richmond won the prestigious BAFTA award; The Man Who Fell To Earth; Bad Timing; Heart Of Darkness; and Full Body Massage for Showtime. Some of Richmond’s other credits include: The Sandlot; Candyman; Stardust for Michael Apted; Playing God; Dirty Dancing: Havana Nights; Rough Riders for John Milius; and That’s Life and Sunset for Blake Edwards;

Richmond was also responsible for the photography of the seminal British music scene of the late 60s. He shot the Rolling Stones classic, Sympathy For The Devil for Jean-Luc Godard, and then collaborated with Michael Lindsey Hogg on The Rolling Stones Rock And Roll Circus and the Beatles’ Let It Be. His other rock and roll credits include The Who’s The Kids Are Alright, and the documentary Glastonbury Fayre.

Richmond’s most recent credits include Good Luck Chuck; The Comebacks; Legally Blond; Ravenous; Men Of Honor; The Sweetest Thing; Someone Like You; Just Friends; John Tucker Must Die; Autopsy; Sex and Lies in Sin City; The Rocker; Alvin the Squeakquel; and Diary of a Wimpy Kid: Rodrick Rules.

John Riddle

John is a former Marine Corps. Sergeant, film editor, and teacher with over 15 years of experience in editing, graphic design, and motion graphic effects. He holds multiple degrees in film and graphic design, and has been teaching for multiple film schools for almost a decade. When John is not in the classroom, he spends his time with his wife and two daughters, as well as reading and drawing. John is currently finishing his debut novel.

Ana Paula Tizzi Riis

Ana Paula Tizzi Riis is a Brazilian-born visual artist residing in New York City. Her creative work is inspired by her surroundings and experiences, with a keen eye for capturing the essence of life. Ana Paula is also involved in numerous editorial projects and with technology research. Her unique talent and vision have been featured in high-profile publications such as Vogue, Marie Claire, Kate Spade, Coach, Cut magazine, New York Times, and Sony Creator. Additionally, Ana Paula serves as an instructor at the New York Film Academy New York Campus.

Heather Ritcheson Associate Chair of Film Arts Department (Producing), Program Administrator of Media Arts Department

With over 30 years of experience in film and television, Heather Ritcheson has forged an impressive career path. She embarked on her journey as a projectionist at a post-production sound house, diligently climbing the ranks in various sound editing positions until ultimately finding her calling as an ADR Supervisor. Collaborating with renowned actors like Brad Pitt, Forest Whitaker, and Sandra Bullock, among other notable talents, earning recognition through a Golden Reel Award nomination for her work on the HBO film “Rebound: The Legend of Earl ‘The Goat’ Manigault,” featuring Don Cheadle.

Transitioning to the production side of the industry, Heather effortlessly took on multiple management roles, assuming responsibilities as a Production Manager, Coordinator, Set Designer, and Production Accountant on numerous non-scripted television shows, including popular titles like “Clean House,” “Celebrity Wife Swap,” and “MasterChef.” However, an unfortunate on-set injury forced Heather to alter her career trajectory.

In 2016, Heather embraced a new journey as Senior Producing Coordinator and instructor for the Producing department at NYFA. With her mission to create safer working environments on film sets, she actively works with her students to help them understand the importance of safety and the measures for ensuring it.

Mark Ritcheson

Mark Ritcheson is a Visual Effects Producer, Writer and Story Editor who has worked in the industry for nearly 3 decades with top directors, producers and filmmakers. Mark headed the visual effects department of RIOT Santa Monica and Hollywood’s Complete Post. As a Visual Effects Producer, he has worked closely with top directors and visual effects supervisors including James Cameron and David Lynch to bring their vision to the screen. His credits include: Xmen 2, Failure to Launch, What’s the Worst That Can Happen? and The Stepford Wives.

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