Faculty Directory

Paul J. Salamoff

Paul J. Salamoff has been working for over 30 years in Film, TV, Video Games and Commercials as a Writer, Producer, Director, Executive, Comic Creator, Storyboard Artist and Make-Up FX Artist. He was recently named one of The Tracking Board’s Top 100 up & coming Screenwriters and has developed projects with Mosaic Media Group, Hollywood Gang, Blumhouse, Wigram Productions, Silver Pictures, Valhalla Motion Pictures, Vertigo and Eclectic Pictures. Salamoff is the author of On The Set: The Hidden Rules of Movie Making Etiquette (Now in its 4th Edition) and the graphic novels Discord, Tales of Discord, Hired Guns, Logan’s Run and issues of Vincent Price Presents. His short stories and essays have been included in acclaimed anthologies including Midian Unmade: Tales From Clive Barker’s Nightbreed and The Cyberpunk Nexus: Exploring The Blade Runner Universe and he is a two-time Bram Stoker Award Nominee. Salamoff made his feature-film directorial debut with Encounter, a multi award-winning Sci-Fi/Drama based on his original screenplay that stars Luke Hemsworth, Anna Hutchison, Cheryl Texiera and Tom Atkins. Encounter won “Best Independent Film” at The 46th Annual SATURN Awards. For the Screenwriting Department in LA, he teaches Online Screenwriting, Genre Studies, Sequential Art, Script To Screen, and Feature Workshops.

Brad Sample

Brad Sample is an award-winning writer/director for film, television and the web. He holds an M.F.A. in Film Directing from U.C.L.A.’s School of Theater, Film and Television. His film credits include Stuck, a dark comedy short, and the Iraq War film Attention, which aired on the Showtime Network. Brad’s television work includes pilots ¡YO! Television, including the hip-hop dance battle show, Crunkiao, and the celebrity profile show, Mi Barrio. The highlight of his online work is Stand Up, a promotional video for the United Nations Millennium Campaign. Brad currently teaches directing at the New York Film Academy and is working on his next screenplay.

Dr. Mary Samuelson Dean of General Education; Chair of Liberal Arts & Sciences

Dr. Mary Samuelson received her Ph.D. and MA degrees from the University of California, Los Angeles (UCLA) and completed her undergraduate work in Cinema-Television and English Literature at the University of Southern California (USC). For the past four years, Mary has taught courses and advised students in the Cinema and Media Studies and Writing Programs departments at UCLA, the Cinema-Television department at Los Angeles Community College (LACC), and here at the New York Film Academy (NYFA). Her essays “Radical Moment: The National Recovery Administration and Hollywood’s ‘New Deal’” and “Wartime News Flow: Government and Studio Newsreels, 1941-1945” will come out in collections focusing on film and the law (September 2016) and the U.S. newsfilm (June 2016), respectively. Mary’s dissertation “The Patriotic Play: Roosevelt, Antitrust, and the War Activities Committee of the Motion Picture Industry” is slated for book publication in Spring 2017.

Michael Sandoval

MFA, New York University, Tisch School of the Arts; MFA, University of Michigan, Writing Program; BA, Brown University.

Films have appeared in Berlin Film Festival, Palm Springs, Slamdance, Toronto Short Film Festival, Margaret Meade Doc Festival, and more. Director of The Good Son (competition screening, Berlin); Ariana (Audience Award, San Luis Obispo Film Festival). Cinematographer/producing consultant for numerous film/TV productions, including feature documentary, Horizontes sin Dueño and “The Encounter” (Best Short, Las Palmas). Awarded Ang Lee Fellowship. Published fiction/non-fiction. Residency Grants include Ucross Foundation, the Santa Fe Art Institute.

Eduardo Santa-Maria

Eduardo Santa–Maria, more commonly known as “Eddy Moon”, is a Caribbean-American Latino director & creative producer based in Miami, FL. His work is heavily inspired by the Hispanic multiculturalism of Miami, and the playfulness available to storytellers via the medium of cinema.

He holds a B.F.A. in Filmmaking and an M.S. in Global Communications.

His work has screened at festivals around the world, including The Miami Film Festival, Inside Out Toronto, HBO’s NY Latino, San Francisco Latino, Tokyo Short Shorts, New Orleans, amongst many more. Alongside screening his works at festivals, he has also helped program festivals for organizations like Slamdance.

A founding member of the White Elephant Group (WEGFilms), a Miami film collective known for its ability to tell local stories in unique ways, while also advocating for filmmaking in South Florida. In his free time, he mentors young artists in Miami through the WEGFilms non-profit, ASFI.

Boris Schaarschmidt

Boris Schaarschmidt is a director, producer, and writer with 15 well-recognized short films under his belt. Each of his films has won numerous awards at film festivals around the world. Boris holds a BFA in cinematography from the University of Applied Sciences in Dortmund, Germany, and a MFA in directing from the American Film Institute in Los Angeles. He has been awarded several prestigious scholarships and awards, among them the German Academic Exchange Service Scholarship (DAAD), and the Pat Hitchcock O’Connell Scholarship Award.

Throughout his career, Boris has worked with well-accomplished and recognized professionals in the film industry, among them German director Romuald Karmaker and Quentin Tarantino, for whom Boris worked on the post-production of “Inglorious Bastards.” Following the success of his short film “Haleema,” Boris went to Iceland for a three-month artist residency and shot the experimental film “Eldur a Himni” about the Northern Lights.

Robert William Schneider

Robert W. Schneider received his BA in Political Science from California Lutheran University and his MFA in Directing from Pennsylvania State University. He holds academic appointments at Penn State University, New York Film Academy, and Mt. Union. He has guest lectured at Yale University, Kent State University, UCLA, USC, and throughout London. Professor Schneider is one of the most recognizable figures in the field of online education. His new book, 50 Key Musicals, will be published by Routledge Press in 2022.
As a director, Robert has worked with such theatres as Center Theatre Group, Walnut Street Theatre, Manhattan Theater Club, York Theatre, Second Stage Theatre, and Lincoln Center Theater, as well as for PBS and Fox Seachlight. His work has been acknowledged with the Ovation Award, StageScene LA Award, BroadwayWorld Award, and the MAC Award.
In this capacity, he has also collaborated on projects with some of this century’s greatest artists including Stephen Sondheim, Stephen Schwartz, Audra McDonald, Emma Thompson, Seth McFarlane, Christina Aguilera, Bernadette Peters, Sutton Foster, Christopher Durang, Kristen and Bobby Lopez, Jason Alexander, Joe Iconis, Jane Lynch, and many others.

Nathan Schrader

Nathan Schrader is the Coordinator of the New York Film Academy’s English Language Lab, a unique position he has held since 2014. He is a graduate of TESOL (Teaching English to Speakers of Other Languages) from Hunter College in 2018 and holds a Bachelor’s degree in Film Production. He is currently pursuing Doctoral studies in Education and Curriculum Design at Fordham University. The English Language Lab is a space for NYFA students whose first language is not English to practice and improve their English speaking, listening, reading, and writing skills. His approach is collaborative and relies heavily on discussion for meaning. Language Lab is flexible, and students come on an as-needed basis.

Michael Selditch

Michael Selditch is a veteran documentary filmmaker. In non-scripted television, he’s been a creator, showrunner, producer and director, earning him two Emmy nominations. His four-part series, “American Style” aired primetime on CNN. His documentary series, “Architecture School” for the Sundance Channel, won the IDA Award for Best Limited Series and was named in Time Magazine’s List Issue as one of the Top 10 Television Series of 2008. He was a director on the original “Queer Eye,” and showran a season of “Catfish: the TV Show.” Selditch has produced for many networks and streamers on a multitude of topics.

Selditch’s narrative film debut, “Fixing Frank” was nominated for an Independent Spirit Award. His follow-up documentary, “Eleven Minutes,” played in theaters in eight cities. His new feature documentary, “Happy Clothes: A Film About Patricia Field” is having its world premiere at Tribeca Film Festival, 2023. He’s in development on his fourth film with a script he penned called, “In Burton’s Shadow,” based on a true story with Jared Harris and Alan Cumming attached.

Before his work in film and television, Selditch was a licensed architect, practicing architecture for 14 years in New York and Los Angeles, and teaching at Pratt Institute and Woodbury University.

Andreanna Seymor

Andréanna uses photography as a means of inquiry into social class, subculture, and counterculture. Her vivid color work captures the organized chaos of everyday people, and illuminates them in ways that prompt the viewer to think about what is occurring beyond the frame of the photograph. Taking her interest in understanding identity within subculture communities, Andréanna began exploring these individuals with the collodion process in order to create decidedly unperfected imagery, to bring to light the transformations of identity.

Born in Southhampton, New York, Andréanna earned her B.F.A. in photography from the School of Visual Arts, and her master’s in social sciences from Queens College. A seasoned photographer with over 20 years of professional experience, Andréanna has shot for numerous editorial publications and has been invited to participate in group shows throughout the United States. Her professional experience has included numerous publications in American and international publications including Blender, Bloomberg Businessweek, Discover, Fortune, Life, Marie Claire, Mother Jones, Newsweek, New York Magazine, The New York Times Magazine, Teen People, O: The Oprah Magazine, Rizzoli, U.S. News & World Report, Wired, and Working Mother, among others. She has been assigned to shoot newsmakers from Bill Gates and Linda McMahon to Zach Galifianakis and Taylor Swift.

Andréanna’s first monograph, “Scars and Stripes: The Culture of Modern Roller Derby” was published by Schiffer Books in October 2014. Andréanna was also featured in the book “25 Under 25: Up and Coming American Photographers,” published in 2003 by Powerhouse with a foreword by Lauren Greenfield. In 2017, Andreanna’s images from “Scars and Stripes” were acquired by The Smithsonian National Museum of American History.

Philip Shane

Philip Shane is an award-winning documentary producer, director and editor with over 25 years of experience. His film “Being Elmo” won a Special Jury Prize at Sundance. In a decade at ABC News, Shane edited programs including Ted Kopple’s “Tip of the Spear” (DuPont Award) and “Martin Luther King” (Emmy, Outstanding Historical Program). His short film collaboration with Peter Jennings, “Witness to History,” has become a part of the permanent collection of the Smithsonian Museum. Philip edited “Dancing in Jaffa” (Tribeca; Best Editing at DocAviv); produced, directed and edited “Einstein” (History Channel); and edited many films about performing artists, including “Wingspan” (with Paul & McCartney and director Alistair Donald), “The Beatles Revolution” (ABC), “Carly Simon” (Lifetime), “Bruce Springsteen” (Disney) and “The Boston Symphony” (NHK).

Jennifer Sharp

Jennifer Sharp is an award-winning director, editor, writer and graduate of NYU, Tisch School of the Arts. Her first feature film, I’M THROUGH WITH WHITE GIRLS, received numerous awards, and after a theatrical release, it was distributed on Showtime and Netflix, among many other cable networks. Her most recent feature, UNA GREAT MOVIE, was a life-long dream of hers until she decided to stop dreaming and make it a reality. So she made it a reality by not taking “no” for an answer, producing it herself, and getting a small Mexican town to support her in shooting the movie there.  UNA GREAT MOVIE can be seen on Amazon, Tubi, GooglePlay, and YouTube Movies.

She is a believer that Art has the power to change the world, and that artists have a responsibility to facilitate that change through sharing their truths. An all around filmmaker, she has numerous other credits as producer and art director. She was the art director on Marlon Wayan’s, A HAUNTED HOUSE 2 and Netflix’s, WITHIN. She is in post production for her 4 part docuseries, DARE TO DREAM WHAT YOU CANNOT IMAGINE, and is editor on the docuseries, FEET OFF THE GROUND, which is slated to release in 2025.

She is currently an instructor at Sundance Collab and NYFA teaching classes in Directing, Producing, and Production Design.

Jan Epstein Schwaid

BFA in Writing for Screen and Television, USC/Cinema-Television
Jan has written for 15 years across games, podcasts, marketing, and short films. She wrote games for Aeria Games & Entertainment, PlayNext Inc, and Kayat Games/Singta Games. She was the head writer on Nosh: Bite Size Adventures, an animated children’s cooking show. Wrote the short film The Noodle Man, which is streaming on Amazon Prime. Has written for Glamour.com and Fox Digital. For the Screenwriting Department in LA, she teaches Podcasting, and Story Generation.

Tony Schwartz

Tony began working in the film industry in 1986. He spent most of his career in production working as an assistant director and line producer in both feature films and network television. He has been a part of many critically acclaimed films and series, including One False Move, Freaks and Geeks, Firefly, Romy and Michele’s High School Reunion, and The Unit. Along the way, he has worked with luminaries such as Carl Reiner, David Mamet, Dan Petrie, Sr., Judd Apatow, Joss Whedon, Carl Franklin, and many others. Since leaving production in 2011, he has continued to develop original content with Kohler Schwartz Productions. He is currently working on a bio-pic about AIDS activist Marty Delaney.

Gilbert Shilton

GILBERT SHILTON

I have been working in the film and television industry for over forty years. In the course of my career I’ve worked on just about every discipline from crew technician to assistant director to cameraman to a three year stint as a television, film and theatre actor ultimately culminating in a multi decade writing and directing career in film and television.

In 1980, I began my freelance directing career shooting prime time network episodic television programs, pilots and mini series. In 1985 I sold my first network writing assignment. Since then I’ve has logged close to three hundred hours directing film and television, my directing assignments taking me all over the English speaking world.

In the process, I’ve garnered numerous award nominations sold both film and episodic screenplays to the major networks, production companies and studios.

In the last twelve years I’ve worked as a College lecturer/instructor with MFA film and television graduates. I’ve also worked international workshops and full semesters in Canada, France, Russia, Turkey, Qatar as well as throughout the United States.

Dr. Shlomo Sher

Shlomo is a Philosophy professor and professional ethics workshop facilitator committed to encouraging critical and ethical self-reflection in his students. He as a passion for practical ethical issues, which he seeks to extend to others both in and out of the classroom. He began his development as an educator as a trainer at the USC Marshall School of Business’s groundbreaking Experiential Learning Center. From 2003-2009. There he facilitated workshops on topics such as organizational communication, group decision-making, power dynamics, and cultural sensitivity. In 2007 he was asked by the center to apply my ethics expertise to such workshops, and in the next two years developed several multimedia-driven business ethics training workshops that have since been used by MBAs, undergraduates, and even high school students. From 2009 to 2011, he was a Fellow at the USC Levan Institute of Humanities and Ethics, where he became involved in the Institute’s events and projects aimed at engaging USC’s students, faculty, and staff with a wide range of ethical issues. Central to his pedagogical approach is the recognition that every single person cares about ethical questions, though they may not realize this or may lack the education necessary to clearly articulate and critically evaluate their beliefs. I has appeared as speaker in a variety of venues including ABC’s Lost and Fox’s Fringe. Education: USC, PhD, University of Warwick, MA, UCLA, BA.