Faculty Directory

Joseph Gordon Cleary

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Joe Cleary is the owner of Ambitious Engine, a film production agency in NJ focused on the healthcare industry and is a Dean’s List graduate of the New York Film Academy Documentary Program. His film “Get it” was featured at the 2019 DOC NYC film festival.

Joe’s interests include shooting music videos, concerts and commercials with a focus on strong story telling, cinematography and sound design.

James H. Coburn IV CAS

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James H. Coburn IV has been teaching production sound at college level for fifteen years. He is a Production Sound Mixer of 25 independent feature films, including The Bronx Bull, Free Enterprise and All’s Faire In Love, and TV series including Roger Corman’s Black Scorpion and Guru To Go for Discovery Networks. He was one of the mixers on the 2015 documentary Kobe Bryant’s Muse. His most recent project was consulting about sound and mixing for the documentary feature, Be The Beauty, which showcases Poet Laureates around the country. Before turning to mixing he was a boom operator and has worked on numerous network TV series, documentary projects and features. A long-time member and former Board member of the Cinema Audio Society, he was instrumental in creating the CAS Technical Awards. James wrote the Foreword to the authorized biography of his Oscar-winning father, “Dervish Dust: The Life and Words of James Coburn” (Potomac Books, 2021) and is currently working on a new book about the art of Production Sound mixing.

Dan Cogan

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Dan Cogan is an American film producer and director. He is best known for co-producing Icarus, winner of the 2018 Academy Award for Best Documentary Feature, and the Academy Award-nominated documentaries, Hell and Back Again, and How to Survive a Plague. Dan is also the co-founder of Gamechanger Films, which finances narrative features directed by women. In 2006, Dan launched the Chrysler Film Project, which was developed in order to identify and finance emerging voices in American independent films. One winning project of the program, Blue Valentine, starred Ryan Gosling and Michelle Williams.

Benjamin B. Cohen

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Benjamin Cohen is an award-winning writer, professor, and performer. In his writing, Benjamin likes to play with dark and challenging material from an honest, comedic perspective. Raised in Atlanta and based in Brooklyn, Benjamin worked on projects selected by the Austin Film Festival, Cannes Film Festival, and The High Museum of Art. He also appears in the Emmy-Nominated PBS short documentary, “What Makes a Great Book.” Benjamin has taught Writing and Film History at NYFA since 2012 and is an active member of the WGA-E. When he’s not writing, teaching, or performing comedy on the NYC stage, you can find Benjamin with his lovely wife and two dogs.

Erin Coleman

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Erin Coleman is a Los Angeles actor, director, teaching artist, and founding member of the nonprofit Future Artists of Los Angeles. She is passionate about empowering artists to turn their dreams into goals. Erin has taught at the American Academy of Dramatic Arts-Los Angeles, the New York Film Academy, and the Barnsdall Junior Arts Center. Her professional acting and performing credits span roles on FX, Showtime, Peacock, ABC, FOX, and NBC. She has performed at the Chicago Women’s Funny Festival, San Francisco SketchFest, and the Comedy Central Stage. She most recently directed the play Female Transport for the AADA Grad Play Festival and produced the world premiere of To Each Their Own.

Eric Conner

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MFA, USC School of Cinema and Television
Eric has collaborated on screenplays with Robert Gardner (Writer, The Wedding Palace) and is developing a pilot with Hayden Black (Goodnight Burbank, Gen Zed). He is currently a regular contributor to ranker.com. As part of a team, he adapted the New York Times bestselling young-adult series Vampire Kisses and developed a feature film based on Knott’s Berry Farm’s Halloween Haunt. He currently hosts, produces and writes the podcast The Backlot for NYFA and was previously commissioned to write the original one-act play/short film The Also-Rans. He is the winner of the Sloan Award & Hamptons’ Writer’s Workshop for feature script Just Enough. He worked as a production manager on the documentary The Cutting Edge: The Story of Cinema Editing. His interview subjects include Steven Spielberg, George Lucas, and Sean Penn. For the Screenwriting Department in LA, he teaches TV Workshops, Introduction to Television, Rewriting, and Thesis Workshops.

Adam Coplan

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Adam Coplan’s resume boasts senior executive posts with three of the most prolific producers in the industry, Joel Silver, Scott Rudin and John Davis. Beginning as Story Editor at Silver, then running development at Rudin as Vice President before moving on to Davis, Adam worked on scores of critical and commercial hits such as The Matrix, Wonder Boys, The Truman Show, A Simple Plan, In & Out, Sleepy Hollow, I, Robot, Alien vs. Predator and Behind Enemy Lines among many others. Adam left to work as an independent producer, setting up Flash Gordon at Universal where he also produced The Express. Switching to the creative side, Adam wrote and directed the tragic feature film It’s Dark Here. Adam’s teaching began in UCLA’s Extension Program, where he honed his approach of mixing the academics with the practical. His first book, Being Professional, was published in 2016. Final Draft asked him to adapt his Road Map outlining system into a template for their software. After an adjunct position at Chapman and various guest lecturing spots, Adam settled in Miami and joined NYFA. He continues to write and has several projects in various stages of development.

Javier Costa

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Steadicam operator with over 10 years professional experience in the camera department. Active member of the Society of Camera Operators, The Steadicam Guild, and IATSE Local 600. Credits include commercials for clients such as McDonald’s and Target, music videos for artists such as Ice Cube and Megadeath, operating Technocrane on the documentary “Titanic: The Final Word with James Cameron”, and television shows including “Survivor”.

Merrilyn Crouch

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Merrilyn Crouch received an MFA in Theater from The University of Southern California and has worked as an actor, writer and director in commericals, television, and film for over 20 years. Merrilyn has written, produced and directed promos for clients including CNN International, TNT, FOX, Discovery Channel, NUVO TV and others. She can be seen on the Food Network’s Good Eats in the recurring role as Alton Brown’s sister, Marsha.

Rick Curnutt Associate Chair of Film Arts Department (Filmmaking)

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MFA in Film Directing, Chapman University; BA in Cultural Anthropology, Boston University. Joined Trench Film Group (Beijing) in 1998, and continued on as a cinematographer, editor, and director of various award-winning independent documentaries, films, and music videos over the next seven years in China. His film, Run China won the honor of “Top 10 Documentaries of the Year” at the Chinese National Documentary Society Film Festival in Guangzhou, 2005; and has aired on over 20 Chinese television networks. Directed short films Potty Talk, Alarm, and Free Lunch, which all went on to screen and garner awards at select film festivals around the globe. Free Lunch was also picked up by Franco-German TV Network “Arte” after screening in competition at the Clermont-Ferrand International Short Film Festival in France.

Morgan Dameron

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BA in Film & Television Production, USC
Morgan Dameron wrote, directed, and produced the feature film, Different Flowers. She previously worked at Bad Robot Productions on Star Wars: The Force Awakens and Star Trek Into Darkness. She has developed projects with Paul Feig’s Powderkeg Media, 3BlackDot, Olive Bridge Entertainment, and Very Big World. For the Screenwriting Department in LA, she teaches Art of the Pitch, The Business of Screenwriting, Script To Screen, Feature Workshops, Adaptation, Elements of Screenwriting, Story Generation. For the Producing Department she teaches Navigating The Industry online.

David D’Andrade

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Instructor for Foundation Drawing, Storyboard Drawing, Principles of Visual Aesthetics, Life Drawing, Media and Culture

Richard D’Angelo

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Richard D’angelo, an award-winning line producer and production manager in film and television. A lifelong film devotee, he received both his BFA in Film Production and Master of Arts in Theater and Film Studies from Long Island University. He produced and directed his graduate thesis screenplay, ‘First Person,’ into an award winning feature film. Richard’s two decades plus of experience in the entertainment industry have run the gamut from feature films to live event productions as well many industrial and commercial projects working as a producer, director, and editor. Recently Richard produced ‘The Cathedral,’ which had its world premiere at the 78th Venice Film Festival and its North American premiere at Sundance, for director Ricky D’Ambrose who won the John Cassavetes Award for the film.

Cheng Davis

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Cheng Davis serves as special advisor on International Advancement to the President of Teachers College, Columbia University. Cheng also served as the vice dean of the Graduate School of Education at the University of Pennsylvania, and currently serves as special advisor on Internationalization Efforts to the President of the University of Pennsylvania. Before her time at Penn, Cheng served as vice president of Drexel University.

During her 17 years at Penn, Cheng founded GSE International, the first international programs office among graduate schools of education of Ivy League universities.

Cheng pioneered cross-national education research through the groundbreaking Six-Nation Education Research Program and its successor, the Eight Nation Education Research Project, which brings together national-level researchers and policymakers from key nations in Asia, Europe and North America to conduct cooperative research on education policy.

Similarly, in cooperation with the United States Department of Education, the United States National Science Foundation, and a consortium of four schools of education including Harvard, Penn, Columbia and Michigan State, Cheng initiated an international collaborative research among nine APEC economies focused on teacher education in mathematics and science and developing models for effective instruction in those areas.

In addition to sending dozens of scholars and students abroad every year, Cheng has developed scores of specialized training programs for groups ranging from government officials and university presidents to finance executives and corporate CEOs. Among the most successful of these programs are the first training programs for CEOS and leading executives in the Chinese securities and mutual fund industries, created in conjunction with the Wharton School. Over the past six years, the Penn Securities Association of China Program and the Penn-China Mutual Fund CEO Leadership Program have trained about two hundred Chinese executives in the latest theories and practices of the U.S. finance sector.

The US-China Future Leaders Program, launched in 2010 under Cheng’s leadership, is another project that embraces her philosophy in education and culture exchanges. It boasts many high-profile officials and scholars from both the U.S. and China sitting on its advisory committee, chaired by Mr. Tung Chee Hwa, former chief executive of Hong Kong. Also working with the U.S. State Department, the program strives to promote U.S.-China relations by developing close relationships and improving mutual understanding among the rising young leaders of both nations.

Cheng enjoys a very close relationship with high-ranking officials and researchers in many Asian countries, with especially extensive and strong connections in China (including Hong Kong and Taiwan), Thailand, Singapore and Japan. Among these are Presidents of China, the Princess of Thailand, ministers of education and finance, governors, and mayors of major cities.

Cheng has served as the senior observer for the Shanghai International Business Leaders Advisory Council for the past 18 years and senior advisor to Shanghai Pudong government. She worked with U.S. West Gate Group and successfully set up an all-Ivy League business school executive training center in Shanghai Pudong, including Wharton, Columbia and Harvard. She also helped Pudong establish relations with royal families and financial gurus from UAE, Qatar and Saudi Arabia.

Cheng’s extraordinary achievement in international affairs has earned her numerous recognitions, among which are the President’s Award for Excellent Leadership from Drexel University, the first–ever Penn GSE Alumni Pioneers Award, and Thailand’s Outstanding Contribution Award, after she had worked closely with Her Royal Highness Princess Maha Ghakri Sirindhorn for eight years on Thailand’s education reform.

Darren Dean

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Darren Dean is an Award-winning American Producer, Writer and Director. Working in the realm of micro-budget and social justice films, he has helmed works by renowned directors Sean Baker, Rashaad Ernesto Green, Alex Rivera and Cristina Ibarra. His films have won awards at Sundance, have been nominated for Oscars and have won Clio Awards. He is currently hard at work at the new features THE END STAGE OF STARS (dir Rachel Mason’s follow-up to CIRCUS OF BOOKS); JACK-BE-NIMBLE (dir Alex Thompson’s follow-up to SAINT FRANCES); MO (dir Chris Brown’s follow-up to THE OTHER KIDS); as well as the debut feature AMERICAN 11 (dir Shayain Lakhani). Dean will also begin prepping his feature directing debuts in 2021, THE APOLOGY and the Spanish-language NO SUGAR TONIGHT.

J. Claude Deering Acting for Film Instructor

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BFA from Stella Adler Studios at NYU’s Tisch School. Theatre credits include two seasons at The Williamstown Theatre Festival. A member of Lincoln Center’s LCT Directors LAB. Film and TV credits include “Side Effects” (dir. Steven Soderbergh), “The Ugly Truth,” “Room 104” (HBO), “NCIS,” “Entourage,” “12 Deadly Days” (YouTube Red), and “Inside the Box” (ABC/Shondaland). Digital producer/writer/director for Funny or Die, CollegeHumor, MSN, Fullscreen, and Chiat/Day.