NYFA
Faculty Directory

Faculty Directory

Lonnie Halouska

MS, USC School of Cinema-Television; JD, Loyola University. Entertainment and telecommunications lawyer, negotiator and business manager for more than 20 years. Major studio and network background.

Denise Hamilton DEI Los Angeles Education Chair

Denise Hamilton has over 30 years experience as a writer and producer for NBC, ABC and PBS network specials and syndicated programs. In the area of documentary film she most recently was co-producer of BEING MICHELLE, a feature which won the 2022 Audience Award as Best Documentary at the Florida Film Festival, and presented at fourteen other festivals. Ms. Hamilton was writer and field producer for four internationally-shot documentaries, including “NGONE’S STORY: A Tale of Africa’s Orphans”, which aired on NBC affiliate stations; as well as the feature “Hollywood Musicals: Singing and Dancing” which screened at the Palm Springs Film Festival and as a 4-part series for PBS. She served as series producer of “Where Cultures Collide”, a 5-part web series for KCETLink, and was coordinating producer on “For Peace Sake”, the Emmy award-winning 2-hour NBC-TV special, as well as the “Motown 40: The Music is Forever” documentary special for ABC-TV. She has served on the awards selection committee of the International Documentary Association, and has taught documentary film production for Spelman College. For eighteen years Ms. Hamilton also served as co-chairperson of the Black Association of Documentary Filmmakers-West.

Dave Hanson Acting for Film Instructor

Dave Hanson is an internationally published and award winning playwright, television writer, actor, improvisor and comedian known for his work on Chelsea Lately, Inside Amy Schumer, Trainwreck and for his play Waiting For Waiting For Godot.
Originally from Seattle, Wa, Dave studied theatre at Whittier College, The Oxford School of Drama, and long form improv at UCB (LA/NY), IO West (LA) and The Second CIty LA.

Matt Harry

MFA in Film Production, USC
Matt has been telling stories since he was 10 years old. He spent his early years writing newspaper articles for the Cleveland Plain Dealer and one-act plays before discovering filmmaking at Ohio University. He graduated cum laude with a BS in Television Production. He moved to Los Angeles to attend the University of Southern California’s School of Cinematic Arts and received an MFA in Film Production. As a screenwriter, Matt’s work has been recognized by the Austin Film Festival, the FOX/NYTVF Comedy Script Contest, Script Pipeline, the Launchpad Manuscript Contest, and the Nicholl Fellowships. His first produced feature screenplay, FUGUE, landed on several top-ten lists, won Best Horror Film at the Mississippi Film Festival, and was picked up for distribution by GoDigital. His short film SUPER KIDS, which he wrote and co-directed, has over 6 million views on YouTube. His TV pilot MONSTER COPS was awarded Grand Prize in the Second City Original Sitcom Contest, and is currently in development. Matt has also published four novels, written and directed an immersive play, and created a card game called You Are a Filmmaker. For the Screenwriting Department in LA, he teaches Thesis Workshop, Transmedia, Feature Workshops, Script To Screen, Unscripted Storytelling, Adaptation, and Genre Studies. For the Producing Department, he teaches Producing Reality TV.

Scott Hartmann

Scott Aaron Hartmann (Eastern Shawnee) is a filmmaker and storyteller, and proudly holds an MFA in film production with an emphasis on directing from Chapman University. Scott has written and directed a long list of short films, commercials and music videos. His independent short films have screened at festivals all over the world, garnering a number of awards. He has been fortunate enough to be able to direct many great performers, including Joseph Runningfox (“Geronimo,” “Ravenous”) and the late Misty Upham (“Frozen River,” “August: Osage County”). As a Los Angeles-based director, Scott continues to develop his own projects while also teaching directing and screenwriting to future filmmakers. Scott has also worked as a screenwriting consultant, with some student work accepted in the Oscars Library. Most recently, Scott he has served as the Academic Chair for the New York Film Academy campus in Abu Dhabi, teaching both filmmaking and screenwriting.

Brendan Hay

BRENDAN HAY is a writer and producer for TV, film, comic books, and more. Most recently, he was an Executive Producer and writer on Gremlins: The Wild Batch and Gremlins: Secrets of the Mogwai for WB Animation/Max. Previously, he was the showrunner of Dawn of the Croods and Harvey Girls Forever!, both for DreamWorks Animation/Netflix. Brendan has also written for several other series, including Robot Chicken (2x Emmy nominated), The Simpsons, and Star Wars Detours. Also, Hay was a (Peabody Award winning) headline producer at The Daily Show with Jon Stewart for most of the Bush administration, and a contributing writer to “America: The Book.” He has written pilots for Lucasfilm, WB Animation, Disney, ABC Family, DreamWorks Animation, Fox, and Nickelodeon. Brendan was once even called the “Best Svengali of Animation” by SF Weekly. He’s still not sure what that means, but chooses to take it as a compliment. On the print side, Hay has written comic books for DC Comics, Oni Press, and BOOM! Studios, and had his writing appear in magazines ranging from SPIN to Reader’s Digest. Brendan lives in Burbank, CA with his author/journalist wife, twins, a pair of pugs, and a cat named Gremlin.

Richard Van Heertum Academic Advisor

Rich Van Heertum has been at NYFA since 2014 and has also taught at UCLA, CUNY, the Art Institute and Drexel. He earned a PhD in cultural studies and education from UCLA and an MA in Economics from SDSU. He has published four books – The Fate of Democracy in a Cynical Age, Educating the Global Citizen, Hollywood Exploited and The Selling of Bohemia – over 35 academic essays and chapters and hundreds of articles in the popular press on movies, music, politics and sports. His newest book, Challenges to Democracy in and Beyond Education, will be released by Routledge later this year.

Arthur Helterbran, Jr.

Arthur has been with NYFA since 2011, holding many leadership positions within the Academy. Currently he is a full time senior faculty member focusing on film directing, while creating and producing his own projects within the greater Los Angeles area.

Diana Henry

Diana Henry is an award winning professional actor with over 25 years experience in television, theatre, film, voice overs and commercials. Since 2009, Diana has been a series lead regular on ABC’s “What Would You Do?”, appearing in over 70 episodes. Other credits include: co-star roles in “The Equalizer”, “The Sinner”, “Law & Order”, “The Blacklist”; and female lead in the feature film “Fortunes”. Diana captured three NY Emmy Awards as the presenting host in “The Lineup: Best Sports Movies”, featuring Fran Healy, Spike Lee, and Chazz Palminteri. She is also a private coach for children and teens, focusing on the audition process for performing arts high schools and colleges. In 2010, she co-founded The Drawing Board NYC, a collective of screenwriters, playwrights, and actors dedicated to developing new works through table readings. Diana has an MFA in Acting at Rutgers University – Mason Gross School of the Arts, studying under William Esper and Maggie Flanigan; and a BFA in Acting at Miami University in Ohio.

Jon Henry

Jon Henry is a visual artist working with photography and text. His work reflects on family, sociopolitical issues, grief, trauma, and healing within the African American community. Henry’s work has been published nationally and internationally and exhibited in numerous galleries, including Aperture Foundation, Smack Mellon, and BRIC, among others. Known foremost for the cultural activism in his work, his projects include studies of athletes from different sports and their representations.

He was recently named one of “The 30 New and Emerging Photographers in 2022” and TIME Magazine’s “NEXT 100” in 2021. He was included in the Inaugural 2021 Silver List and was recently awarded the Arnold Newman Grant for New Directions in Photographic Portraiture.

Henry was named one of LensCulture’s “Emerging Artists” and won the Film Photo Prize for the Continuing Film Project sponsored by Kodak. His book, “Stranger Fruit,” published by Monolith Editions/Kris Graves Projects, is currently in its second edition.

Baz Here

Baz Here is a queer fine art photographer and musician living in downtown Los Angeles. A multidisciplinary artist. Here is interested in the sound current and its effect on visual aesthetics. Through the use of self-portraiture, his work questions perceptions about race (white privilege specifically – White on White) and queer identity politics. His work has been exhibited at The Hive, Featured Resident Artist (DTLA) / The Getty Center, Pop-up Gallery/ Out There, Gallery 825 / Gallerie Sparta / LACDA / Gay Downtown LA Artwalk Pop-up Gallery / Beyond Baroque / Art Share LA Fall / Los Angeles LGBT Center Advocate and Gochis Galleries. His work is featured in The Advocate and The Cultural Weekly.

Daniel Hernandez-Alonzo

Daniel Hernandez-Alonzo moved from Mexico City to New York to study Film and Video at the School of Visual Arts. Inspired by his professors’ work and downtown Manhattan’s arts and music scene, he decided to specialize in non-fiction. Daniel teaches Non-Fiction Videography and Personal Journalism for the Broadcast Journalism at the New York Film Academy; and is the department’s Technical Lead and Studio Director for NYFA News.

Outside NYFA, Daniel is a cameraperson and video producer, the Director of Photography at the NYU School of Law and a Professor of Cinematography at The New School.

Recently, Daniel was Director of Photography for China: Frame by Frame, a feature-length documentary airing on PBS. He also documented the New School’s ACT-UAW Local-709 Strike. Daniel is currently pursuing a graduate degree at Columbia Journalism School and lives in Brooklyn with his partner, with whom he runs a company that creates non-fiction video content.

Jim Hillin

Jim came to Los Angeles in 1979 as an artist, animator and musician. He began is career in computer graphics at a start-up in 1985 in Pasadena, CA. while also attending The Art Center College of Design. As an artist, he pushed to learn the engineering side of CGI, eating and breathing the new discipline.

In his fifth year in the business, Jim was chosen to be the Artistic Supervisor of CGI for “Beauty and the Beast” at Disney.

In 1993, he was hired as the Director of Digital Production for a new VFX shop, Digital Domain. He hired the first crew, created specs for the original software, including “Nuke” and worked on many motion pictures.

In 1995, Jim returned to Disney to head up a new live-action animated project, called ‘Dinosaur.’ After completing his work on the film, he worked as a Writer-Director at Disney Animation, pitching five animated features and two shorts in six months.

In 2000, Jim was elected by his peers into the Visual Effects Branch of the Academy of Motion Picture Arts and Sciences. In addition, Jim belongs to the Visual Effects Society, The Animation Guild and he has recently joined The Television Academy.

Liz Hinlein

Liz Hinlein is an accomplished DGA director, creative director and visual artist with a vast portfolio of critically acclaimed work across film, commercials, and immersive media. Her debut narrative feature, Other People’s Children, premiered at the Director’s Guild of America and garnered high praise from Variety as “an intriguing debut.” The film received multiple film festival honors, including the prestigious Panavision New Filmmakers Grant, and is currently available for viewing on Apple Tv+ and Amazon Prime.

Liz’s short films have been screened globally at renowned festivals such as the Berlin Film Festival, Slamdance, and The Hamptons Film Festival. In the immersive space, her documentary VR experience, OSAGE ’85, is currently supported by the Venice Biennale. Liz’s work in the VR/AR space has earned recognition from clients such as the NFL, Walmart, Accenture, and Byton Auto, with her Accenture project winning Best VR Branded Content at CES.

As a sought-after director for high-profile commercials, branding videos, and music videos, Liz has worked with a diverse range of brands and artists, including Castrol Oil, Dove, Lifetime, Revlon, Gillette, Maybelline, A&E, Wella, NARS Cosmetics, Bare Minerals, Clairol, and MAC Cosmetics. She has also creatively directed and photographed projects for renowned artists such as Mary J. Blige, Britney Spears, Quincy Jones, Incubus, and Fishbone. She was selected for the DGA Directors Initiative, The Sony Initiative and the Viacom Initiative.

Liz is a graduate of NYU Tisch School of the Arts and holds an MFA in Cinematography from The American Film Institute. She is also the Creative Director of Film and Cinematography at the New York Film Academy, where she created and hosts the popular Zoom talk show series The 20/20 Online Series, which amassed over 1.5 million followers. Currently, Liz is in pre-production on OSAGE ’85, which will premiere at the Venice Film Festival.

Drew Hirshfield Acting for Film Instructor

As an actor Drew Hirshfield has appeared in new and old plays around the country (at places such as Magic Theatre in San Francisco, Huntington Theatre Company in Boston, Geva Theatre Center in Rochester, Ensemble Studio Theatre in New York, and many others). Other credits include a first Broadway National Tour, network TV, and independent film. He’s been nominated for a Bay Area Theatre Critics Circle Award and he once played a lemur, professionally. Drew has trained with, and completed a pedagogical teacher-training program under, clown and physical acting master teacher Christopher Bayes and has studied with the renowned clown Aitor Basauri of Spymonkey. He is a trained practitioner of the Michael Chekhov Technique. Drew is a an alum of the National Alliance of Acting Teacher’s Teacher Development Program.

Amanda Hood

Amanda Hood is an Australian comedy writer and director based in New York City. She began her career making documentaries for the BBC. After a stint at Working Title Films in London, Amanda moved into script development and freelanced on everything from commercials to TV shows to feature films. She has written and directed ten short films which have screened at major film festivals and aired around the world. In 2023, Amanda completed a director’s attachment with director Erin White on Paramount Plus’ TV show, Paper Dolls. Prior to that, she completed a director’s attachment with Oscar-nominated director Bruce Beresford on the Sony Pictures feature film, Ladies in Black. Amanda has received the Australian Directors Guild Metroscreen Fellowship and her feature script Baby Boomers was a finalist in the Page International Screenwriting Awards, placing in the top ten out of more than 6000 scripts from around the world. Amanda is a graduate of UCLA’s School of Theater, Film and Television and loves mentoring the world’s next generation of storytellers.

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