Food is a universal love language with a tapestry of global flavors, traditions, and techniques. In film and television, there are many stories to be told about food and global culinary experiences. From the Max series cataloging the early days of famed chef Julia Child’s career to the late Anthony Bourdain on his worldly and insightful televised adventures, food is a common thread that connects and inspires us all.
The Best Movies About Food and Global Culinary Experiences
Several movies use the theme of food to tell a compelling story, whether teaching viewers how to make a meal, competing in cooking and baking, or simply finding passion in the craft of cooking and/or eating. Many films provide a compelling example of the power of storytelling, showcasing interesting meals and dishes from all over the world.
Here are some notable examples.
The Best Movies About Food
Chef (2014): Directed by and starring Jon Favreau, this film follows a chef, Carl, who starts a food truck after quitting his high-profile restaurant job after a bad experience with a food critic. Looking to become inspired by food again, the film follows Carl as he explores his passion for creating delicious dishes.
Julie & Julia (2009): This movie intertwines the story of Julia Child, played by Only Murders in the Building Star Meryl Streep, with the life of a young woman, played by Amy Adams, who decides to embark on a year-long journey of cooking all the recipes in Child’s cookbook. The film is based on the novel written by Julie Powell.
Eat Drink Man Woman (1994): Directed by Ang Lee, this Taiwanese film revolves around a retired master chef and his three daughters. Every week, the family shares a homecooked meal that helps the viewer explore their family dynamics and watch as each character tackles their own individual challenges. Image via IMDB.
Babette’s Feast (1987):Babette’s Feast is a Danish film about a French refugee and lottery winner who prepares a sumptuous feast for a small religious community. The meal, designed around the 100th birthday of a dedicated (now deceased) father and devoted member of the community, the movie celebrates the transformative power of food.
Tampopo (1985): This popular foodie film and Japanese comedy is about a truck driver who helps a young widow transform her failing noodle shop into a place of culinary excellence. The film underlines how food can unite people from all backgrounds and walks of life. Image via The Times.
Ratatouille (2007): The fan-favorite animated film from Pixar, Ratatouille tells the story of a rat named Remy with a natural affinity for flavor. Remy, who aspires to become a great chef in a French restaurant, finds himself in one of the best kitchens in France alongside a shy dishwasher who can somehow communicate with him.
Like Water for Chocolate (1992): This Mexican film, adapted from Laura Esquivel’s novel, weaves together love, family, and food. With each dish carrying a powerful emotional connection, the film showcases a strong female lead, the passionate Tita (Lumi Cavazos), who fuels her love and emotions in the food she cooks. Image via Google Play.
Simply Irresistible (1999): Simply Irresistible is a charming 90s rom-com that hints at the mystical and magical qualities of food. Starring Sarah Michelle Gellar, the film tells the story of a young chef grieving her mother and unknowingly bringing home an enchanted crab who looks over her kitchen.
The Lunchbox (2013): This Indian romantic drama revolves around a mistaken lunchbox delivery that leads to an unexpected friendship between two lonely people (played by Irrfan Khan and Nimrat Kaur.) Over the exchange of delightful homemade meals, the two bond and connect as they write each other letters through the boxes. Image via The New York Times.
Burnt (2015): Starring the Golden Globe nominee, Maestro star, and Director Bradley Cooper, Burnt revolves around a once-promising and rough-around-the-edge chef who falls from grace. Seeking redemption, Cooper’s character, Adam, opens a new restaurant in London.
The Hundred-Foot Journey (2014): Starring Om Puri and Golda star Dame Helen Mirren, The Hundred-Foot Journey follows an Indian family that opens a restaurant in the south of France. The restaurant’s opening sparks a culinary rivalry between Papa (Puri) and Madame Mallory (Mirren), who owns a nearby traditional French restaurant. Image via Amblin.
Chocolat (2000): In a quaint, isolated village, a French woman (Juliette Binoche) and her young daughter embark on opening a chocolate shop, challenging the established moral norms and stirring a transformative wave within the community. The film highlights how food and religion can be intertwined.
Uncorked (2020): In this Netflix original drama, a young man finds himself caught between his aspirations of becoming a master sommelier and the pressure from his father, who envisions him inheriting the family barbecue business. The film stars Mamoudou Athie, Courtney B. Vance, and Niecy Nash-Betts. Image via Wine Spectator.
The Ramen Girl (2008): The late Brittany Murphy starred as a far-from-home American who, after getting dumped by her boyfriend, is stranded abroad in Tokyo. Finding comfort at a local ramen shop, Murphy’s character, Abby, convinces an expert ramen chef (Toshiyuki Nishida) to mentor and guide her as a young chef.
Follow Your Passion at NYFA
For filmmakers passionate about food and culture, these films are exceptional examples of the creative stories that can be told. If you’re interested in learning the craft of filmmaking and telling your own story, check out the filmmaking programs offered by the New York Film Academy today.
Nicole Kidman, Cate Blanchett, Rose Byrne, Geoffrey Rush, and Russell Crowe are just a few names that come to mind when it comes to famous Australian actors. With no shortage of talented Australians in the entertainment world, these performers have created some of the most memorable characters in film.
Famous Australian Actors: What Aspiring Actors Can Learn From Them
Whether it’s a mythical God swinging a hammer or an unhinged wedding guest looking to date Vince Vaughn, Hollywood has a special place in it’s heart for actors from Australia. From Hugh Jackman to Margot Robbie, these performers have reached phenomenal levels of success, and there’s a lot that aspiring actors can learn from them.
We spoke to Anne Moore, the Interim Chair for NYFA’s Acting department in Los Angeles, as well as Lynda Goodfriend, Creative Director for the Acting department at NYFA Los Angeles, about the lessons that can be learned from some of the most famous Australian actors in the industry right now.
Elizabeth Debicki
Elizabeth Debicki is an Australian actress who has appeared in films like Tenet (2020) and Guardians of the Galaxy: Volume 3 (2023). Debicki stunned audiences with her Golden Globe award-winning portrayal of Princess Diana on The Crown, unintentionally teaching a masterclass depicting a real-life person. Debicki, who looks like Diana naturally, also captured her accent and mannerisms, leaving many to comment on how watching the actress was like watching the real Diana in interviews and media appearances.
By going beyond appearances and also studying Diana’s expressions, common head, and hand motions, Debicki was able to bring the role to life in a meaningful and mesmerizing way.
Chris Hemsworth
In 2009, Chris Hemsworth showed up on the silver screen to portray George Kirk in Star Trek, and in 2011, he bought the beloved Marvel character of Thor to life. Chris is also known for his roles in The Huntsman: Winter’s War, Ghostbusters, and Doctor Strange.
Chris Hemsworth, from Melbourne, as Thor, mourning his brother Loki, played by Tom Hiddleston.
Chris is a powerhouse of an actor and a natural leading man, but he fits nicely into an ensemble. As many Marvel fans saw in the Avengers movies, he plays well off his on-screen brother, Loki, in many memorable moments of chaos, mischief, and sibling rivalry. Anne says aspiring actors can learn from Hemsworth’s ability to work with a cast.
“Regardless if you are in an ensemble cast or not, you always have to be a team player. It takes a village to make a film. The more you collaborate and work with, and as an ensemble, the more one’s creativity is fostered,” she says.
“When actors collaborate as an ensemble, they can share ideas, have each other’s back, and work off of each other, ultimately creating a more powerful performance from each individual,” adds Lynda. “The ultimate result is a more exciting film and impactful story.”
Margot Robbie
Margot Robbie got her big break when she brought the New Jersey princess Naomi Lapaglia to life in The Wolf of WallStreet in 2013. Previously, she was on the well-known Australian television show Neighbours as Donna Freedman. Since The Wolf of Wall Street, Margot has been in several high-profile leading roles, including Jane Clayton in The Legend ofTarzan, Harley Quinn in Suicide Squad and Birds of Prey, Tonya Harding in I, Tonya, as well as Sharon Tate in Once Upon a Time in Hollywood, and Nellie LaRoy in Babylon.
In addition to her film roles, Robbie has also made a name for herself as a producer. Her production company, LuckyChap Entertainment, focuses on female films and includes titles such as the Academy Award-winning I, Tonya, and the Academy Award and BAFTA winner Promising Young Woman. The company has also produced television shows such as Maid (2021) and Dollface (2019).
Margot Robbie, originally from Dalby, is in the 2023 summer film, ‘Barbie.’
Robbie, who “isn’t thrilled” with being called a bombshell, says, “I don’t want to be reduced to the clichés that come with being called sexy or a blonde bombshell. I want to keep looking for roles where the main interest will be in the character itself; her importance in driving a story forward rather than her relationship with the male character.”
“I think creating your own production company allows for new voices to be heard and new stories to be told by artists that have been overlooked and/or marginalized,” says Anne. “I applaud women like Margot Robbie.”
Aspiring actors can also choose to follow in Margot’s footsteps by training in additional disciplines, such as filmmaking and producing.
Hugh Jackman
Hugh Jackman’s list of accomplishments and awards is nothing short of impressive. He can sing, dance, and act, and in the last few years, he has won People’s Choice, Tony, Satellite, Saturn, and a few other awards. But one of the most important roles to date is in 2022’s The Son, where he plays a father with a son who struggles with his mental health. Jackman’s own father passed during the filming of the movie, a tragedy that Hugh said changed him and, ultimately, in combination with the subject matter of the film, made him a better parent.
Hugh Jackman, who is from Sydney, in ‘The Son.’
Actors often use their personal experiences to connect to their characters. But like Jackman, actors can also learn from their characters, using their stories to impact their own lives.
“An actor always takes pieces of themselves when creating a character and often takes pieces of the character they play into themselves. We all share certain qualities of humanity – creativity, love, purpose,” says Lynda.
“When an actor plays a character with certain outstanding traits, those traits can be brought to the forefront of the actors’ consciousness and become a more important part of their behavior, giving them insights into unexplored areas of their own life.”
Isla Fisher
Isla Fisher, star of Godmothered and Confessions of a Shopaholic, stole our hearts as the crazy love interest of Vince Vaughan’s character in Wedding Crashers in 2005. She appeared opposite Zach Galifianakis in Keeping Up withthe Jones – a movie about a suburban couple caught up in an international espionage plot, as well as Nocturnal Animals and The Brothers Grimsby. Her most recent role is in the Peacock tv series Wolf Like Me, where she plays a woman with a dark secret, opposite Josh Gad.
The character is different from what we’ve seen Fisher do. Unlike her more comedic parts, as the mysterious Mary, Fisher shows a much more vulnerable side. The switch-up in genre and style demonstrates her range as an actor, showing her audience and fans a new side to her.
According to Anne, aspiring actors can follow Fisher’s lead and experiment with different roles and character types to help build up their repertoire.
“Challenging yourself as an actor is essential as it forces you to look at yourself and ultimately humanity from a different perspective,” she says. “The beauty of being an actor is that it allows one to express themselves in ways they don’t get to in real life.”
Although the switch works for Fisher, Lynda offers this advice for newer actors: “The best time for an actor to experiment with different types of roles is when an actor is just developing in their career, and the audience has not pigeonholed them into any specific type.”
Enhance Your Audition and Acting Skills at NYFA
There’s a lot that actors can do with their natural talent. A lot of actors choose to take it a step further and invest in acting classes or even a degree in acting to help them polish their techniques. To learn more about the programs that NYFA offers, please visit our Acting School page. Students can also explore our diplomas at NYFA Australia, located on the Gold Coast.
From the rocket ship stuck on the moon’s surface in A Trip to the Moon(1902) to the epic and visceral world of the desert planet in Dune (2021), 120 years later, Cinematography is responsible for some of the most memorable scenes in film, television, and new media. As Cinematography is the foundation of filmmaking, the very first filmmakers were Cinematographers, working without sound and editing. Today, Cinematographers are finding new and innovative ways to bring stories to life through powerful imagery. Our passion for Cinematography led us to create this Cinematography guide for aspiring storytellers.
NYFA’s Cinematography Guide for 2024
When pursuing long-term creative goals in the field, there are many paths that aspiring Cinematographers can take to learn how to tell a compelling narrative. In this Cinematography guide, we’ll share tips, techniques, and tools that amateur Cinematographers can use to inspire their journey in this exciting discipline.
The first thing we’ll do in this Cinematography guide is dive into the meaning of telling a visual story on film. Cinematography is the art and craft of photographing motion pictures, where a series of images are created to tell a story visually. Like photography, the art of Cinematography requires a keen eye, close attention to detail, and a big imagination. In just a short scene, a Cinematographer can transform a mood or convey a feeling. This is accomplished using lighting, camera movement, color, shot selection, and size.
2001: A Space Odyssey (1968) is one of the best examples of cinematography. Source: The American Society of Cinematographers
The Role of a Cinematographer in Film and Television
The Cinematographer (sometimes called a Director of Photography) plays a key role on the set of a film or television show. Cinematographers also work on newer media projects, such as a web series. The Cinematographer manages framing, lighting, and camera movement, collaborating with the Director, Production Designer, and other key personnel. It is the Cinematographer’s job to design a unique look for each creative project.
Pre-Production
From the very beginning of a project, a Cinematographer is essential. After a project is “green-lit”, the Director and Cinematographer start to plan out the look and feel of the visual components. The visual components support the narrative of the film or television show. Storyboards and shot lists may be used to sketch out and present their ideas. This part of the pre-production stage helps Cinematographers prepare the necessary tools and resources.
Cinematographer Manuel Billeter chose classic 1940’s noir lighting to capture the darkness of Netflix’s 2015 hit Jessica Jones. Source: Studio Daily
Production
During production, a Cinematographer manages the visual components of the project.
They collaborate with the Director on:
The design of all the shots needed for the scene
The best focal length and camera angle, as well as the camera setup, placement, position, and movement for each scene
Lighting the scene to create contrast, depth, and color in the image
Moving the camera to dramatize a specific moment in the scene
Supervising the camera, grip, and electric departments
Advising on the initial selection of the camera equipment, including the choice of format (such as film vs. digital, etc.)
Cinematographers and Directors must also be able to improvise. A Cinematographer is also an artist, manager, and technician, overseeing three key departments.
For most American productions, these departments and roles include:
The Camera Department
Cinematographer Camera Operator First AC Second AC DIT or Media Manager
The Electric Department
Gaffer Best Boy Electric Set Lighting Technicians
The Grip Department
Key Grip Best Boy Grip Dolly Grip Grips
In The Danish Girl (2015), Director Tom Hooper and Cinematographer Danny Cohen did an unplanned focus pull during filming to convey the merging of feminine souls. Source: The Hollywood Reporter
Cinematographer vs. Director of Photography
The job title “Cinematographer” is the same as the role of “Director of Photography.” Both these terms describe the same job with the same responsibilities.
Cinematographer vs. Videographer
A Cinematographer works in film, television, and entertainment. They capture the Director’s vision through images, light, color, and much more. A Videographer is responsible for some of the same duties; however, tend to work at events and in content creation. A Cinematographer may work on an event or create content. However, it is not common for a Videographer to work in place of a Cinematographer on a film or television crew.
Cinematographer vs. Director
On a feature film, the Director provides the overall vision that guides the project, having creative input in all areas of the production. The Director works closely with the actors to shape their performances and consults with the various department heads to discuss how each aspect of the filmmaking process can serve the storytelling.
The Cinematographer works under the Director as one of their closest collaborators, focusing on how to enhance the visual design of the film using camera and lighting. The Cinematographer will supervise the camera, grip, and electric departments as they execute this plan and work to realize the Director’s vision of the film.
Director of Photography Rachel Morrison, the first woman to get an Academy Award nomination for Best Cinematography, and her work on Mudbound (2017). Source: Robert Ebert website.
How to Become a Cinematographer
Like any other creative, competitive field, success in Cinematography depends on multiple factors. Many successful Cinematographers have been in the industry for decades and have used a combination of natural talent, training, network, and unique circumstances to find opportunities in film, television, and entertainment. A single component, such as having connections or having a degree, does not necessarily guarantee success.
In addition to staying up to date with resources, industry trends, and materials such as this Cinematography guide, ambitious visual artists should use their perseverance and determination to:
Learn the different components of a reflex camera (how do you assemble the camera, lens, put on a filter, etc.)
Volunteer to work on set for student film productions, ideally in the camera or lighting departments
Study color and color theory in filmmaking
Learn how to work as a team and collaborate with the director and other key team members
Shoot your own short films to start building material for a reel
Collaborate with local artists and musicians on visual projects (music videos, promos, photographs, etc.)
Find opportunities to get practical training in the camera, grip, and electric departments
In addition to these tips, seeking creative opportunities related to photography, filmmaking, and directing in industries such as advertising, production, and marketing can help improve a creative and technical skillset.
Do You Need a Cinematography Degree?
A formal degree is not required to find success in Cinematography. However, in a dedicated degree program, students have the chance to get ongoing mentorship and feedback from industry experts, as well as a highly creative environment to study and learn fundamental and advanced techniques.
Here are a few advantages to pursuing a Cinematography degree:
Many Cinematography degree programs (such as a BFA or MFA) provide a lot of practical training and hands-on experience
At many Cinematography schools, students have designated time to build up their portfolios and strive to improve the quality of their work
Students can start to build their network and community with their peers
Cinematography degree programs provide opportunities to build fundamental and advanced knowledge in the craft
Cinematography schools give students the chance to build skills in related fields, such as filmmaking, directing, and producing
Access to an equipment package suited to the needs of each project
Education provides one-on-one mentorship and guidance from industry experts
While it’s very possible for students to learn the basics of Cinematography on their own, an education in Cinematography provides a full-immersion experience. Additionally, if creative skills change, a BFA or MFA can be useful in a variety of other fields.
Stephen Spielberg and Cinematographer Dean Cundey used scale to terrify audiences in Jurassic Park (1993). Source: Rolling Stone
Here’s what Anya had to say about learning Cinematography:
“Cinematography is this interesting art that is really on the intersection of magic and logic,” said Malatynska. “It’s a visual language that has fundamentals of grammar. If you were learning English as a second language, you would need to learn the grammar.”
Strengthening Creative and Technical Skills
Cinematography requires both creative and technical skills. One of the best ways to learn it is through the process of strengthening those skills. In our experience, prospective Cinematographers can start building knowledge and experience by:
Study different films, including everything from silent movies to the contemporary classics
Watch films with the sound off to see how the Cinematographer tells the story visually
Learn how to take photographs with a DSLR camera
Learning how to use a light meter
Make a short film with your cell phone camera
Read novels, short stories, graphic novels, and comic books to learn about storytelling
Draw storyboards to illustrate the shots for a short story
Volunteer to work on student films at local colleges or universities
Writing about Cinematography on their own blog or website
Podcasting or posting video reviews about Cinematography on their own channel
Aspiring visual artists who want to pursue a new passion for Cinematography can learn a lot of the basics online. For instance, students can learn through online courses or tutorials. Short-term workshops or even higher education can provide a framework to level up to more advanced skills or techniques. Students can also learn from professional Cinematographers and Filmmakers.
Cinematography Tools for Beginners
Cinematographers cover a lot of ground in a production, and there are a number of tools that they need. In our experience, here are the basic cinematography tools that some Cinematographers use.
Storyboards
A storyboard is the blueprint for a film or television show. Directors and Cinematographers use storyboards to outline and map out their vision for a film using images and notes.
A storyboard featuring the famous chestburster from Ridley Scott’s Alien (1979). Source: submarinechannel.com
Similar to writers, Cinematographers use outlines to plan their shots, framing, angles, and more.
Shot Lists
A shot list includes every shot of a film, television show, or webisode. It also includes other essential details for the camera and lighting crew, such as:
The scene and shot numbers
The location of the scene
The subject of the scene, such as the characters involved
A brief description of the shot
The size and angle of the shot
Cinematographers use shot lists throughout production and are a vital resource during a project.
DSLR Camera
There are a range of available Digital Single-Lens Reflex (DSLR) cameras to choose from that range in quality and price. When choosing a camera, some considerations to make include:
Sensor Size
Features
Size/Weight
Resolution
Monitor size
Maximum ISO sensitivity
Range of available lenses that will fit this camera
For beginners who aren’t ready to buy a camera, there are options to rent.
Light Meter
There are a few different types of light meters. On set, Cinematographers often use an incident light meter. This is the most accurate and important tool to maintain consistent exposure within a scene. A spot meter can also be useful, as it can measure reflected light in a very specific area of the set. Some meters combine both an incident and a spot meter in one model, which can also be convenient.
Smartphone with Cinematography Apps
For Cinematographers using a smartphone, there are a lot of apps dedicated to supporting the craft. These include everything from technical calculators to sun-path tracking to viewfinders and more. A few of the best apps available are:
Artemis Director’s Viewfinder
pCAM Film+Digital
AJA DataCalc
Helios Sun and Moon Position Calculator
Shot Lister
The Grip App
Digital Cinema Pocket Guides
Gel Roll with Different Cuts of Gels
Cinematographers are always looking for different ways to shape, control, and modify light. By using gels, you can create different colors in lighting design. These can range from strong blasts of saturated color to subtle variations that add depth and realism to a scene.
Cinematographers can also use different types of diffusion to soften the quality of light, spreading and softening it to wrap around the subject. Some diffusion is very light and just takes the edge off of a hard source. Heavier diffusion materials will soften the source even further.
You can purchase gels and diffusion in small sheets or as a longer roll. Longer rolls are usually 4′ wide, which can be cut into smaller pieces as needed (a box cutter is handy for this). When cutting gels, use a permanent marker to label each piece. You should label the pieces with the name and strength of the gel for later reference.
These pieces or “cuts” can often be reused. A gel roll can be useful to store all of these cuts so they are ready to go for future projects.
Ditty Bag
Crew members operating under the guidance of a Cinematographer use ditty bags to carry everyday cinematography tools. These tools may include anything from a light meter to grip gloves. There is no “right” ditty bag to buy, but generally, bags with a variety of large and small pockets work well.
A few items that the NYFA Cinematography faculty recommend keeping in a durable ditty bag include:
Light Meter
Smartphone with Cinematography Apps (such as technical calculators, sun-path tracking, viewfinders, etc.)
DSLR Camera
Gel roll with different cuts of gels and diffusion
The contents of a ditty bag will also vary based on the department.
Avatar (2009) combined groundbreaking technical innovations with traditional filmmaking methods.
Must-Know Techniques and Methods
Cinematography is an exciting, evolving field, and Cinematographers continue to find new ways to tell engaging stories. In addition to mastering traditional techniques, many use new technology to tell highly imaginative stories and build new worlds.
Emerging Cinematographers can experiment with new technology and tools, including:
Drone Cinematography
Aerial cinematography, or shots taken on a drone or similar vehicle, has become a significant trend in Cinematography. For Cinematographers who wish to get sky-high views, with the use of a drone, it’s easy to get started in aerial cinematography. Although many have a high price tag, cheaper options are becoming available as the method becomes more popular.
There are a lot of different types of drone shots, which can all be used for chase scenes, birds-eye view, establishing shots, war scenes, and more.
There are a number of shots that Cinematographers can learn to execute. A great example is a crane shot, or a shot that uses a film crane. Crane shots used in famous scenes range from the massive Titanic set in James Cameron’s 1997 film to the wounded soldiers in Gone with the Wind (1939). A crane shot can be helpful in establishing a scene, building tension, and more.
Film cranes are powerful tools that create impressive shots. However, they are also large, complex and potentially dangerous pieces of equipment. To operate one safely, a great deal of training and a full crew is required.
Natural Lighting
Cinematographers often face the challenge of creating lighting that looks realistic, and immerses the audience in the world of a harsh or unvarnished story. Sometimes this will be achieved using traditional lights to create light sources that feel motivated within the reality of the scene. The effect appears to be realistic (sunlight through a window, a bedside lamp, etc.). However, the illumination is actually provided by film lights that are positioned and controlled.
Cinematographers may also choose to use natural or “available” light. This allows them to work with the lighting conditions that exist in the location. Films such as Tree of Life (2011), Dallas Buyers Club (2013), and others take this realism to another level. In these films, Filmmakers restricted the available tools while embracing the subtle variations and details of the actual sources.
When working with available light, Cinematographers can use sun-tracking software. This software helps them plan ahead and anticipate the path of the sun throughout the shooting day. This way, they can schedule specific shots at the best time.
When Cinematographers anticipate changes in light, they can maintain a consistent look for each scene. This helps them find ways to get shots that cut together with effective lighting continuity.
Over the years, underwater Cinematography has been used in films from The Graduate (1967) to Splash (1984) to Alien: Resurrection (1997). It is also used in many documentary and nature films, television shows, and even music videos. To achieve challenging underwater shots, Cinematographers work with special crew members. For instance, underwater camera operators and professional stunt divers can capture these unforgettable scenes.
Creating Your First Cinematography Reel
A cinematography reel is a short compilation of your best work as a Cinematographer. A reel should include shots that successfully showcase visual storytelling skills, such as:
An aspiring Cinematographer’s best compositions
Different styles of lighting and different times of day
The ability to move the camera
An aspiring Cinematographer should concentrate on creating one reel that shows the range of their skill. However, without substantial experience, it may be difficult to have a lot of examples to choose from. To build up experience, aspiring visual storytellers can create their own opportunities by:
Creating their own short 3-5 minute films and getting critique from peers
Creating a photography series or visual essay using a digital or manual camera
Collaborating with local businesses, artists, musicians, bloggers as the Cinematographer create projects
Shooting for aspiring Directors, Filmmakers, Screenwriters on independent films
If you want to pursue creative goals in a specific genre, it may be useful to tweak your reel. For example, a reel can be edited to feature drama, horror or comedy clips. As you get more experience, your reel can evolve. Cinematography reels will should be updated to feature new work.
In Apocalypse Now (1979), Director Francis Ford Coppola and Cinematographer Vittorio Storaro made a brief, but historic cameo. Source: American Cinematographer Magazine
The Best Cinematography in Movies and Why They’re Great
A great way to start learning Cinematography is from the pros. From There Will Be Blood (2017) to Slumdog Millionaire (2008), there are many great examples of Cinematography in movies, television, and new media. Aspiring Cinematographers can study and watch these films to learn more about lighting, shots, color, and more.
Birdman
Cinematographer Emmanuel Lubezki used camera tricks and several long shots to make the award-winning Birdman(2014) feel like a single take. Lubezki practiced for the film by building a similar set and blocking out shots, which helped the production team determine how to hide transitions and where to place actors.
Breaking the Waves
We asked Piero Basso, AIC-IMAGO and NYFA Cinematography Chair, about his favorite films. In addition to Paris, Texas (1984) and The Conformist (1970), he also discussed his appreciation for Breaking the Waves (1996).
“I have a deep sentiment of admiration and gratitude for Breaking the Waves,” Piero said.
“It has taught me how Cinematography doesn’t require that the aesthetic quality of the images must be preserved at all costs and instead showed me how a story can be told with gritty, unperfect and dirty images if this style fits the story.”
Life of Pi
Life of Pi (2012) used advanced special effects shots and photography to create it’s award-winning Cinematography. Due to the importance of water in the film, Director Ang Lee and Cinematographer Claudio Miranda worked together to create realistic looking water and natural light. They even constructed a self-generating wave tank built around their lighting needs.
Pan’s Labyrinth
In the eerie fantasy film Pan’s Labyrinth(2006), Cinematographer Guillermo Navarro and Director Guillermo del Toro worked together to balance light and dark. A lot of the filming was done during the day to capture the night scenes, as darker locations, such as a forest, would be difficult to light artificially.
While these films can inspire aspiring Cinematographers, many of the techniques are extremely advanced, and achievable after years of practice and experience behind the camera.
Famous Cinematographers: Tips from the Professionals
Experienced Cinematographers have a wealth of experience to share. From working with Directors to making choices about lighting, here are some great tips from the professionals.
Anthony B. Richmond
Anthony B. Richmond, BAFTA-Winner, and NYFA Los Angeles’ Cinematography Chair, is known for his role as Director of Photography for films such as Men Of Honor (2000), Someone Like You (2001), Legally Blonde (2001), Shade (2003), Just Friends (2005), Good Luck Chuck (2007), The Comebacks (2007), and more. Richmond is also an accomplished member of the Academy Motion Picture Arts & Sciences (A.M.P.A.S), British Academy of Film & Television Arts (B.A.F.T.A), American Society of Cinematographers (A.S.C), and British Society of Cinematographers (B.S.C).
He spoke with NYFA’s Creative Director of Filmmaking and Cinematography, Liz Hinlein, for our 20/20 Series about collaborating with Directors.
“A director is going to choose someone who will have their back and who they can collaborate with,” Richmond said. “You have to be understanding, there can only be one captain of the ship (the director), so you need to be okay with that.”
Ellen Kuras
Ellen Kuras, Director of Photography on films like Eternal Sunshine of the Spotless Mind (2004) and Away We Go (2009), spoke about the creation of a film’s visual story.
“I’ve always been very opinionated about blocking, for example, which is essentially how the actors move around in the set. That’s something you probably wouldn’t think about. How does this character walk into the room? What’s the point of view of the camera? Is the camera over his shoulder, or is it on the other side of the room, watching him?”
Roger Deakins
Oscar winner Roger Deakins, known for his work on acclaimed films such as The Shawshank Redemption (1994),Fargo (1996), The Big Lebowski (1998),A Beautiful Mind (2001), No Country for Old Men (2007), and Blade Runner 2049 (2017), explained in an interview with NPR why heprefers simplicity in cinematography.
“I like using natural sources,” Deakins said. “I like images to look natural — as though somebody sitting in a room by a lamp is being lit by that lamp.”
A Little Princess (1991) earned Cinematographer Emmanuel Lubezki’ his first Oscar nomination for Best Cinematography. Source: IndieWire
Emmanuel Lubezki
Emmanuel Lubezki is known for films like The Birdcage (1996),The Tree of Life (2011), Gravity (2013), Birdman (2014), and The Revenant (2016). In an interview with Indiewire, Lubezki described his experience working on Song to Song (2017), originally titled Weightless, where Director Terrence Malick encouraged him to show up on set without a plan.
“It was incredibly exciting to not know what we were going to do, but knowing that we wanted to find something great,” said Lubezki. “I didn’t know who the characters were and how they were related. You start shooting though, and you start to understand their connections and the arcs of their stories. It was almost like watching the movie as you were shooting it.”
Ari Wagner
Ari Wagner, Cinematographer for Zola (2020), discussed her experience working on The Power of the Dog (2021) in a recent interview, describing what she calls as a “set of values” she created with Director Jane Campion.
“I usually love creating quite specific visual rules for films, but for this project I’d say what we landed on would be better described as a set of values – unadorned, deliberate, non-judgmental photography, no emotionally-manipulative camera moves, no shots that were trying to convince an audience about anything,” Wagner said. “Shots that could show a character feeling something without telling a viewer what they should feel about it.”
As a professional organization with members from around the world, IMAGO represents the interests and goals of all Cinematographers.
Another great resource for aspiring Cinematographers is The International Cinematographer’s Guild, or the union that represents cinematographers. Also known as “Local 600” which is the local that represents the camera department, Cinematographers must qualify to join the union by earning a certain number of days working professionally on independent or non-union productions. They must also pay an entrance fee to join.
Joining the union is a goal that many young cinematographers and other crew members strive for, as it represents an opportunity to work on bigger productions, and a chance to earn higher rates than non-union jobs. They also work to ensure safety standards on set, such as mandatory safety training for union members.
Cinematography Resources
For Cinematographers looking to stay updated on the latest news and events, there are many trusted Cinematography resources available. These resources include websites and publications, which offer up-to-date information about new film and television releases, interviews with professionals, industry events, festivals, as well as product news and reviews on technology and equipment.
Cinematography is an artistic, exciting field that challenges visual storytellers to build advanced creative and technical skills. While there are many paths to pursue cinematography to master the craft, it’s essential to work hard, dedicate yourself to the field, and persevere.
All defining moments in the rich tapestry that is cinema history are all black and white, but why is it that monochrome filming has become an almost lost art form? Indeed, if you look up any list of the most critically acclaimed black and white movies, you’ll be hard-pressed to find many released after 1960. Over time, the aesthetic has been pushed to the fringes and seen as inherently ‘arthouse’ (usually with a slightly pretentious air.)
The Best Black and White Films in Cinematography
In photography school, students are usually urged to master black-and-white shooting (especially film development) before moving to color, but not so in filmmaking. With the latter, black and white is a tool reserved only for the masters.
But as of recently, the tide seems to be changing, and we’re seeing an increasing number of releases that are not only inspirational for those of us wanting to re-embrace monochrome but also serve as great examples of why more people should do so. Nosferatu, for instance, is still inspiring filmmakers, with another version starring Lily-Rose Depp, Aaron Taylor-Johnson, and Nicholas Hoult slated to premiere in December 2024.
Mami Wata (2023)
In the upcoming black-and-white film Mami Wata, external forces jeopardize the tranquility of a village, and two sisters embark on a journey to protect their community. The two work together to reclaim the splendor of a mermaid goddess and bring harmony back to the land. The international film from Benin has already generated a lot of buzz in the industry, with The New York Times calling it a “modern fable (that) is both haunting and ravishing.”
Lílis Soares, an Afro-Brazilian Cinematographer who shot the film, explained how the film is so unique and compelling, stating, “There is a connection between a narrative and how it is made. On Mami Wata, we needed to try and change this gaze, to try and put more value in these bodies we portray. It was a huge challenge because we didn’t have references for that.”
Image via CNN.
Frances Ha (2012)
Frances Ha is a 2012 black-and-white comedy-drama film directed by Noah Baumbach and co-written by Baumbach and Barbie Director Greta Gerwig, who also stars in the lead role. The film follows the life of Frances Halladay, a spirited and quirky aspiring dancer living in New York City. As Frances navigates the challenges of adulthood, friendship, and artistic aspirations, the film presents a poignant and humorous exploration of self-discovery.
Greta Gerwig’s performance is widely praised for its authenticity, capturing the essence of a young woman in the midst of figuring out her place in the world. Frances Ha received acclaim for its character-driven narrative, nuanced storytelling, and the collaborative brilliance of Baumbach and Gerwig, making it a standout in contemporary indie cinema.
Image via IMDB.
The Artist (2010)
Let’s start off with the most acclaimed black-and-white feature of recent times and the one that immediately springs to mind as an industry game changer: 2012’s The Artist. On paper, The Artist was a hugely big risk. In a world where only the most brash and lowest-common-denominator comic action movies earn big bucks, would anyone be tempted to watch a movie that’s not only black and white but also silent?
Indeed, the marketing team had a hard sell. At the time of writing, the most recent YouTube comment on that trailer reads: “No way I’m watching it. A silent movie? Please.”
And that’s even after it won awards and became high up the list of most recommended movies of 2011. But it won awards, and it would be hard to imagine the movie presented in any other way. This gets to the crux of when it’s appropriate to shoot in black and white: when the subject matter calls for it.
Kokomo City (2023)
Directed, produced, and edited by D. Smith, the 2023 American documentary film Kokomo City delves into the lives of four Black trans women, shedding light on their experiences in New York and Georgia. Executive produced by Lena Waithe, the film premiered at the Sundance Film Festival on January 21, 2023. The film won awards at Sundance and Berlin and hit theaters on July 28, 2023, under the distribution of Magnolia Pictures.
Directed by Robert Eggers, this psychological horror film features striking black-and-white cinematography. The movie stars Willem Dafoe and Robert Pattinson as two lighthouse keepers who begin to unravel amidst isolation and psychological strain on a remote New England island in the 1890s.
Shot in stark black and white, the film not only captivates with its atmospheric visuals but also delivers a gripping narrative, exploring themes of madness, power dynamics, and the supernatural. The exceptional performances, unique cinematography, and eerie ambiance make The Lighthouse a standout piece of psychological horror cinema.
Image via IGN.
Schindler’s List (1993)
Incidentally, it was the first monochrome film to win the Academy Award for Best Picture since Schindler’s List in 1993. It is another superb example of a story that wouldn’t have been enhanced had it been shown in color.
Of course, there is a small amount of color within the film courtesy of the iconic girl in the red coat, the symbolism of which has given us a talking point for decades (As an aside, this small color feature technically means that The Artist was preceded by The Apartment in 1960 as the previous all-black and white winner of the Best Picture award.)
And this brings us to our second takeaway point that cinematography school students should bear in mind: just because a movie is devoid of color doesn’t mean it has to be devoid of potent symbolism. A cinematographer working in black and white should execute their ideas boldly and with confidence.
Roma (2018)
Directed by Alfonso Cuarón, this acclaimed film is primarily black and white and offers a visually stunning and intimate portrayal of life in 1970s Mexico City. The film follows the life of a domestic worker named Cleo, played by Yalitza Aparicio. Shot in black and white, Roma is a visual masterpiece that combines Cuarón’s personal storytelling with breathtaking cinematography, capturing the intimate moments and societal changes of the time.
The film received widespread praise for its emotional depth, meticulous attention to detail, and Aparicio’s compelling performance, earning numerous awards, including three Academy Awards for Best Cinematography, Best Director, and Best Foreign Language Film.
Image via IMDB.
Sin City (2005)
As Spielberg showed us, we don’t have to stick to one approach or the other dogmatically. Although it’s technically more challenging only to highlight certain props or characters with vibrant color while all else is in grayscale, the resulting effect can be extremely compelling, as we saw in the first Sin City movie:
As long as the filmmaker is armed with a good screenplay, a talented team, and a dose of confidence, black-and-white filming—when appropriate—can add a very complex atmosphere to production and lend an air of reverence to the subject matter when done right.
Gunda (2020)
Gunda is a 2020 documentary film directed by Viktor Kossakovsky. The film presents an intimate and immersive portrait of the daily life of a pig named Gunda, along with her piglets, a herd of cows, and a one-legged chicken. Shot in black and white with no dialogue or music, Gunda is a contemplative and emotionally resonant exploration of farm animal existence, offering a thought-provoking perspective on the sentient and emotional lives of these animals.
The film has received acclaim for its powerful storytelling through pure observational filmmaking and its impact on raising awareness about animal welfare.
Image via The Irish Times.
Cold War (2018)
Directed by Paweł Pawlikowski, this Polish film is a romantic drama shot in black and white, capturing the post-war period in Europe. The film spans multiple decades and follows the passionate yet tumultuous love affair between two musicians, played by Joanna Kulig and Tomasz Kot, against the backdrop of post-war Europe.
Noteworthy for its stunning black-and-white cinematography and haunting musical score, Cold War received critical acclaim for its evocative storytelling, strong performances, and the ability to convey the complexities of love amidst the political and cultural challenges of the Cold War era. The film was nominated for three Academy Awards and won the Best Director award at the Cannes Film Festival in 2018.
A Girl Walks Home Alone at Night (2014)
A case in point is last year’s compelling A Girl Walks Home Alone at Night—of the choice to film the vampire flick solely in black and white, critic Drew Taylor writes: “[the movie gives] the impression that you’re witnessing something iconic and important unfold before you.”
The film is a study of how to create an atmosphere, if ever there was one.
Explore The Exciting World of Cinematography at NYFA
In short, as long as you’ve got the preliminary substance, shooting in black and white can deliver the style. But more than anything, it’s knowing when to shoot in black and white—all of the both are great examples of this, but there are some occasions where it becomes superfluous… and on those productions, great color design takes precedent.
Want to learn more about Cinematography and shooting in black and white? Check out NYFA’s programs in Cinematography today!
The future of cinematography holds exciting prospects as technological advancements continue to reshape the landscape. With the rise of virtual and augmented reality, filmmakers like James Cameron are immersing audiences in entirely new visual dimensions like Pandora in Avatar, revolutionizing storytelling. This technology allows visual storytellers to push the boundaries of visual storytelling and has already enabled Cinematographers to make some of the best cinematography films.
The Best Cinematography Films: Exploring Contemporary Trends
Over at our cinematography school, we regularly chat with filmmakers about contemporary trends in cinema—what’s hot right now, what is likely to trend in the future, and what’s already had its day.
Aerial Footage
We’re seeing a lot more aerial footage being incorporated into final cuts as of the last couple of years, particularly for establishing shots. Why? Drone technology has become more accessible and affordable, with aerial devices capable of shooting at high resolutions. It can add much more production value to edit for relatively little cost. However, it’ll be interesting to see if its usage frequency will plateau in years to come once it becomes commonplace or increases as the technology continues to advance.
Mad Max: Fury Road (2015), for example, directed by George Miller, incorporates breathtaking aerial shots of the post-apocalyptic desert landscape, adding to the overall intensity and scope of the chase scenes. With Australian Cinematographer John Seale at the helm, audiences were captivated by the rugged desert landscape.
Image via YouTube.
Subdued Lighting
Particularly over the past year, it seems to be a strong contemporary trend for cinematographers to pare down lighting rigs and keep things simple and soft, with as few lighting sources as possible (and often a heavy reliance on solely natural and ‘golden hour’ lighting.) Black and white films are still popular, with movies like The Lighthouse (2019). This psychological horror film uses subdued lighting to intensify the eerie and claustrophobic ambiance of the isolated lighthouse setting.
When practiced to the extreme, this can give a very moody effect to the resulting film—either intentionally or unintentionally—but this hugely depends on the color palette and saturation used in conjunction (more on this below.) Otherwise, it’s a contemporary trend that was, in all probability, born out of a need to soften some of the harsh edges that ultra-high digital footage can suffer from; either way, it’s a welcome break from the ultra-complex lighting dynamics that were necessary with some film stock of the past.
Image via Phoenix Film.
Subdued Color
As well as subdued lighting, we’re also seeing an increased use of subdued color in film (particularly with regard to desaturation and muted color design.) Examples of this aesthetic used to great effect can be seen in Ex Machina (2014), Her (2013), and Moonlight (2016). Directed by Barry Jenkins, the film masterfully employs subdued colors to convey the nuanced emotional landscape of its characters.
The film’s muted color palette, characterized by soft blues and gentle warm tones, mirrors the quiet intensity of its narrative, creating a visually evocative experience that complements the story of self-discovery, identity, and human connection within the Miami neighborhood it portrays. The subdued colors contribute to the film’s intimate and contemplative atmosphere, allowing the audience to immerse themselves in the poignant journey of the protagonist, Chiron, across three pivotal stages of his life.
Image A24 Films.
The Rise of Handheld Shots
Cameras are getting less unwieldy, and jib/dolly setups are becoming more plentiful and functional. As a result, it’s not a huge surprise that handheld footage is currently trending. This rise to ubiquity seems to have coincided with the release of the MoVI M10 rig in 2013, offering increased stability while allowing for the organic feel of shooting handheld.
Expect more handheld and Steadicam footage going forward, with ever-more impressive results being achieved as new rigs and systems hit the market. Children of Men (2006), for example, directed by Alfonso Cuarón, features many long, unbroken handheld shots, contributing to this dystopian science fiction film’s immersive and intense atmosphere.
Image via IMDB.
Shallow Depth of Field
While the swing between ultra-shallow and ultra-deep depth of field alternates from era to era, we’re currently amid a shallow depth of field glut. The current boom has been, in part, ushered along by the market introduction of cameras with gigantic sensors, making it very easy to achieve the look with or without telephoto lenses. When done right, it looks stunning and can add a good dose of realism to the shot… but we’re also seeing it overdone as of late, so be sure to use the technique sparingly.
A film that incorporates a shallow depth of field to highlight specific details and moments is Amélie (2001). Directed by Jean-Pierre Jeunet, Amélie enhances the whimsical and fantastical nature of the story.
Image via The New York Times.
Excel in Cinematography at NYFA
The world of filmmaking is always evolving, including contemporary trends in cinematography. Over the last few years, there will be even more emerging trends to master. Interested in pursuing Cinematography? Check out NYFA’s programs in Cinematography today!
Steven Spielberg is an iconic American filmmaker known for his unparalleled contributions to cinema. Renowned for his versatility, NYFA Guest Speaker Spielberg has directed and produced a wide range of blockbuster films, from the heartwarming E.T. the Extra-Terrestrial to the suspenseful Jaws and the historical masterpiece Schindler’s List.
With a career spanning several decades, he has earned numerous accolades, including multiple Academy Awards, and his impact on the film industry is immeasurable, making him one of the most influential and successful directors in Hollywood history.
Cinematography Techniques: How to Style Your Film Visuals like Steven Spielberg
From Jaws to The Color Purple, Raiders of the Lost Ark to Schindler’s List to the new West Side Story, Steven Spielberg has given us many of the most iconic moments in cinema. Today, we examine some of the specific cinematographic techniques he employs to achieve such spectacular results to help inspire your own film.
Sideways tracking shot.
A sideways tracking shot follows the movement of the characters. Although it is a classic technique, Spielberg makes it his own. Spielberg adds considerable visual texture to the shots by putting all manner of objects and extras between the camera and the two main subjects to enhance the richness of the frame and the visual perception of movement.
Spielberg also uses the variant of having the actors approach the camera after tracking, ending in a close-up, as exemplified by the scene in Jaws when the camera tracks Brody and his wife to the fateful boat.
Introducing a character.
Spielberg often uses either action or fraction (glimpses of body parts or features) to introduce his protagonists, and some of his most memorable introductions employ both. Think of one of the most iconic character introductions of all film time: Indiana Jones in the first Raiders of the Lost Ark.
The long take.
A long take, aka an “oner,” is a continuous shot played out in real time. Unlike other directors, Spielberg’s long takes tend to be less stylized and more emotionally driven. As this No Film School article puts it:
“Spielberg disguises these long takes in a number of ways, allowing audiences to become immersed in the dramatic energy of the scene without feeling the kinetic energy of the camera.”
Over the shoulder.
Over-the-shoulder shots are common enough in cinema, but Spielberg uses dramatic and claustrophobic shots to create effects that push the boundaries of classic cinematographic framing. The dramatic shot uses a wide lens, making the character in the foreground look bigger than the other character, which conveys a feeling of dominance. The claustrophobic shot increases the shoulder in the frame, pushing the main subject away from the center.
Frame within a frame.
A cinematic frame within a frame utilizes physical objects–mirrors, windows, doors, power lines–to divide the frame and create a striking composition. In “A.I. Artificial Intelligence,” Spielberg and his cinematographer, Janusz Kaminski, use a circular lamp fixture, and in “Minority Report,” they use a headset held by one of the characters in the foreground. The novelty of these framing devices suggests how you can use everyday objects for brilliant aesthetic effects.
Learn Cinematography Techniques at NYFA
At NYFA, aspiring cinematographers learn how to strengthen their skills in composition, lighting, and camera movement. Through hands-on projects and exercises, students create their own films and develop their knowledge of cinematography techniques. To learn more, explore ourcinematography programs.
While books have seemingly taken a backseat to everything from YouTube videos to audiobooks, they are still an invaluable resource to supplement your musical theatre education, especially regarding the history of the stage and the biggest names behind the biggest works.
6 Musical Theatre Books for Every Aspiring Performer
Here are some must-read books for musical theatre performers (both informative and a great way to pass the time when you’re resting your voice.)
NYFA’s performance of The Wedding Singer.
Broadway Babies: The People Who Made the American Musical by Ethan Mordden
Recounting the development of the American musical comedy genre, this history is as entertaining as the song-and-dance productions it describes. The book features musical legends, including Florenz Ziegfeld, Harold Prince, Bert Lahr, Gwen Verdon, Angela Lansbury, Victor Herbert, Liza Minnelli, and Stephen Sondheim, and explores shows with staying power like Anything Goes, Show Boat, Oklahoma!, Follies, and Chicago, to offer a rich account of a beloved but often overlooked American staple.
Not Since Carrie: Forty Years of Broadway Musical Flops by Ken Mandelbaum
This book explores the hows and whys that led to dozens of Broadway musicals that seemed like surefire hits to flop hard at the box office. Mandelbaum is objective and generous, though, finding the positives where he can in shows whose failures could have simply been a product of bad luck and timing. Published in 1992, the book doesn’t describe the infamous Spider-Man: Turn off the Dark, but after reading it, you may know why even Marvel failed on Broadway.
The Vocal Athlete by Wendy D. Leborgne and Marci Rosenberg
Musical theatre can push the human voice to its limits. The Vocal Athlete is written specifically to help performers meet the high demands for a sustainable career on stage, providing ideal tools and exercises to help preserve vocal wellness. When it comes to taking care of your most important asset, you’ll want all the help you can.
How Sondheim Found His Sound by Steve Swayne
This highly-praised book is a biography of one of Broadway’s biggest icons–Stephen Sondheim, the composer and lyricist behind works like Into the Woods, Sweeney Todd, Follies, and Sunday in the Park with George. Knowing Sondheim’s work and what makes the artist tick is key to understanding the very nature of Broadway, and Swayne’s book is a perfect way into his world and understanding how one of the greats came to be.
The Complete Phantom of the Opera by George Perry
The Phantom of the Opera has cemented its place in Broadway history as an iconic musical, but its roots go much farther than Andrew Lloyd Webber’s 1986 masterpiece. This definitive account of The Phantom of the Opera recounts the history of the work from its historical origins to Gaston Leroux’s classic novel that inspired Webber’s version, as well as the story’s other incarnations in between. All of this is supplemented with beautiful photography that includes images from the production itself.
Up in the Cheap Seats: A Historical Memoir of Broadway by Ron Fassler
Up in the Cheap Seats is a truly original take on Broadway, looking at it as a fan from the ground up, or rather, in Fassler’s case, from the cheap seats down. By imbuing the history of Broadway and hundreds of its productions from the personal point-of-view of an actor in his youth, along with the dozens of people he met along the way backstage, the book gives a memorable but relatable and unique take on the musical theatre scene from a heartfelt place of true love.
Get Hands-on Training at NYFA
The Musical Theatre School at NYFA provides a range of programs for aspiring performers looking to refine their voice, movement, and acting abilities. Under the mentorship of experienced faculty, students engage in rigorous programs, undertaking projects and exercises specifically crafted to elevate their skills in musical theatre performance.
Drone Cinematography can be a great way for filmmakers to get unforgettable aerial shots. Cinematographers work with drones to get interesting shots that help tell a compelling visual story, contributing to memorable scenes in major feature films such as We Are Blood (2015), Skyfall (2015), and many more.
5 Great Camera Drones for Aerial Drone Cinematography
Film-grade camera drones have never been more accessible. Price points for high-definition aerial filming rigs are becoming affordable, making it easier to learn about drone Cinematography. With a wide array of options to choose from, we’ll be taking a look at some of the best beginner filmmaking drones on the market. All prices are approximate at the time of writing—be sure to hit the HD settings on each YouTube player to see the demo footage at its best. Please note that some drones may no longer be in production, but may still be sold online.
DJI Inspire 1
Drone Specs: 18 minutes maximum flight time, 48mph top speed, 4500m altitude, 5m/s ascent speed Camera Specs: 4k video at 24 FPS, 12.4 megapixels, 100-3200 ISO range for video
It’s easy to see why the DJI Inspire 1 has become the go-to, professional-grade drone for 4K aerial filmmaking. As well as packing an impressive set of specs, the gimbal-mounted, super-high-resolution camera allows for a fine degree of control over the shooting angle.
For those who are a little divided over the price, it’s worth noting that the Inspire 1’s design is modular, so it can be easily upgraded further down the road without having to buy a whole new drone.
DJI Phantom 3 Advanced
Drone Specs: 23 minutes of flight time, 35mph, 6000m altitude, 5 m/s ascent speed Camera Specs: 2.7k at 30FPS, 12.4 megapixles, 100-3200 ISO range for video
The Phantom range of aerial drone cameras has become something of an industry standard, and the third iteration strikes a good balance between cost and quality. The Phantom 3 comes in two flavors—the “advanced” and the “professional” below, which ups the specs at a higher price point.
DJI Phantom 3 Professional
Drone Specs: As above
Camera Specs: 4k at 25FPS / 2160p at 30FPS / 1080p at 60FPS
For an extra $259, the Professional version of the Phantom 3 will give you greater resolution and framerates without sacrificing any of the maneuverability.
Parrot Bebop
Drone Specs: 22 minutes of flight time, 29mph, 6m/s ascent speed, 200m altitude Camera Specs: 1080p recording with a 14 megapixel fisheye camera
Lightweight and extremely zippy, the Parrot Bebop is a smart choice for those who want HD stabilized video without having to spend a king’s ransom—there are cheaper drones out there (and even some lesser-priced models in the Parrot range)—but the Bebop gets the balance right and is one of the best drones you’ll find for $500 or under…if you can live with the slightly limited operating range.
Phantom Flex 4k Drone
Drone Specs: Unknown, but it can lift a cinema camera. Camera Specs: 1,000 FPS at 4k and up to 3,000 FPS at 720p (in five-second bursts). Stores 2TB of RAW data.
We’ve covered the more end of the drone filmmaking spectrum, so now let’s look at what is currently the most expensive (and impressive). Clocking in at over 30lbs once the camera and lenses are installed, the Phantom Flex 4K is less of a drone and more of an aircraft. The price tag is eye-watering, but the footage speaks for itself.
Learn How To Use Cinematography Tools and Tech
From one-time courses to immersive non-degree programs to an MFA track, NYFA offers a variety of options for prospective cinematographers eager to learn the fundamentals of composition, lighting, and more. Visit our Cinematography Programs page or read our introductory guide to Cinematography to learn more.
If you’re having trouble making a confined area appear larger when filming in a small area, you’re not alone. Professional filmmakers also return to the drawing board when attempting to create space and illustrate depth and scale in a small area. And even with all the fancy CGI and other advanced technology at their disposal, filmmakers often rely on techniques that have been around for almost as long as Cinematography itself.
Filmmaking Tips for Shooting in a Small Area
Below are some ways to make your small space feel much grander and make the most out of a limited area — so that you’re not forced to cut any awesome ideas you had in mind. With enough practice, you’ll soon have an eye for making even a tiny room appear bigger.
Creating Deep Space
One of the oldest tricks in the book for creating the illusion of depth is called deep space, and it can be used to trick the audience’s brain into imagining that the space is deeper than it is. Why do we use the word “trick?”
Because any screen you are looking at, whether it’s a movie screen, a computer, or your handheld device, the image has height and width, but there is no depth. The audience’s eyes are always focused on the surface of the screen. Depth is an illusion created by photography. But in the look of “deep space,” we are doing everything possible to enhance this illusion.
Here are several things you can do to create deep space:
1. Use wide-angle lenses.
Wide-angle lenses expand space, while telephoto lenses compress space. By using the wide-angle lens, we can create the illusion that the space is much deeper than it is. The wider the lens, the deeper the space.
2. Use high number F. stops.
Using the higher number F. stops (f. 11, f. 22, f. 32) when exposing your image will dramatically increase your depth of field. Depth of field is a technical term used to describe how much of the image is in focus. We can have everything in the frame from three inches to infinity in focus, or we can shrink the depth of field so that someone’s eyes are in focus and the tip of their nose is out of focus.
By using high f. stops, we can put the background into focus; the audience will be more likely to look at it. And when they do, their brains will be fooled into thinking that they are refocusing from the foreground to the background and back again, heightening the illusion of depth.
3. Stage your actors perpendicular to the flat picture plane.
By staging one of your actors in the foreground and another in the background, the audience will be fooled into imagining that they are looking into the distance of the shot.
4. Move your actors perpendicular to the flat picture plane.
Watching the actors move toward or away from the camera will reinforce the illusion of depth in your shot.
5. Move the camera perpendicular to the flat picture plane.
Moving the camera into or out of the shot, even slightly, is like taking the audience by the hand and leading them through the space, giving the depth more credibility.
6. Light with shadow.
Shadow is something our brains use to determine the depth of objects. Just imagine if I drew a circle on the page. It would appear flat. But as soon as I began to shade it, the circle would have the illusion of a third dimension. So, use light to create shadow on your actors and your set to reveal the contours and depth of your image.
7. Place bright objects in the foreground and keep the background dark.
Bright objects have the illusion of advancing, while dark objects have the illusion of receding. By placing actors in bright costumes against dark backgrounds, we can enhance the illusion of depth.
8. Place warm colors in the foreground and cool colors in the background.
Just like bright and dark objects, colors have a similar effect. Warm colors have the optical illusion of advancing, while cool colors have the illusion of receding. So, by placing actors in warm-colored costumes against cool-colored backgrounds, we can, once again, enhance the illusion of depth.
A Simple Trick For Dealing With Extremely Small Spaces
This all sounds good, doesn’t it? But what if you’re shooting in a really small space, say a bedroom in a typical student apartment? It’s probably the size of a closet! Perhaps the room is so small you can’t even get the camera inside. Some cameras are large. If you throw in the tripod, assuming you’re using one, you might find that you’ve taken up 2-3 feet just with the camera.
In addition, some lenses have a minimum focusing distance. In other words, even after squeezing the camera into the room, you can’t get far enough away from your subject to focus on it.
Well, here’s a handy guerilla shooting technique: shoot into a mirror. That’s right. Get a mirror, mount it on the wall, and back your camera away. By doing this, you can effectively double your distance from your actor. If the mirror is 3 feet from the actor and the camera is 3 feet from the mirror, you’re now 6 feet away from the actor.
This means you can use a longer lens and solve that tricky problem of minimum focus distances. Of course, your image will be flipped from left to right. But if that bothers you, you can flip it back again in the editing room. Naturally, the better the mirror, the less likely you’ll have ripple distortion in the reflected image.
Learn Cinematography Skills at NYFA
At NYFA, aspiring visual storytellers can explore a variety of Cinematography programs designed to develop essential skills in composition, lighting, and beyond.
Header image via Matheus Bertelli on Pexels.
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Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
